Abbott & Costello
(1967); General Electric Theater (1961); Dance with Me, Henry (1956); Abbott
and Costello Meet the Mummy (1955); Abbott and Costello Meet the Keystone Kops
(1955); Fireman Save My Child (1954); The Abbott and Costello Show (1952–1954);
Abbott and Costello Meet Dr. Jekyll and Mr. Hyde (1953); Abbott and Costello Go
to Mars (1953); Abbott and Costello Meet Captain Kidd (1952); Lost in Alaska
(1952); Jack and the Beanstalk (1952); Comin' Round the Mountain (1951); Bud
Abbott and Lou Costello Meet the Invisible Man (1951); Abbott and Costello in
the Foreign Legion (1950); Bud Abbott Lou Costello Meet the Killer Boris
Karloff (1949); Africa Screams (1949); Mexican Hayride (1948); 10,000 Kids and
a Cop (1948); Abbott and Costello Meet Frankenstein (1948); The Noose Hangs
High (1948); The Wistful Widow of Wagon Gap (1947); Buck Privates Come Home
(1947); The Time of Their Lives (1946); Bud Abbott and Lou Costello in Little
Giant (1946); Bud Abbott and Lou Costello in Hollywood (1945); The Naughty
Nineties (1945); Here Come the Co-eds (1945); Lost in a Harem (1944); In
Society (1944); Hit the Ice (1943); It Ain't Hay (1943); Who Done It? (1942); Pardon
My Sarong (1942); Rio Rita (1942); Ride 'Em Cowboy (1942); Keep 'Em Flying
(1941); Hold That Ghost (1941); In the Navy (1941); The Andrews Sisters in Buck
Privates (1941); One Night in the Tropics (1940).
A High-Toned Old
Christian Woman; Anecdote of the Jar; Collected poetry and prose; Disillusionment
of Ten O'Clock; Earthy Anecdote; Frogs Eat Butterflies. Snakes Eat Frogs. Hogs
Eat Snakes. Men Eat Hogs; Gubbinal; Harmonium; How to Live, what to Do; Idées
de l'ordre; Infanta Marina; Last Looks at the Lilacs; Letters of Wallace
Stevens; Life Is Motion; Lunar Paraphrase; Nomad Exquisite; Of Modern Poetry; Opus
posthumous; Palace of the Babies; Peter Quince at the Clavier; Ploughing on
Sunday; Poems; Secretaries of the Moon: The Letters of Wallace Stevens &
José Rodríguez Feo; Selected Poems; Souvenirs and Prophecies: The Young Wallace
Stevens; Sunday Morning; The Auroras of Autumn; The Collected Poems of Wallace
Stevens; The Collected Poems: The Corrected Edition; The Comedian as the Letter
C; The Curtains in the House of the Metaphysician; The Emperor of Ice-Cream; The
emperor of ice-cream, and other poems; The Man Whose Pharynx Was Bad; The man
with the blue guitar; The Necessary Angel: Essays on Reality and the
Imagination; The Palm at the End of the Mind: Selected Poems and a Play; The
Paltry Nude Starts on a Spring Voyage; The Place of the Solitaires; The Plot
Against the Giant; The Poetry of Wallace Stevens; The Revolutionists Stop for
Orangeade; The Worms at Heaven's Gate; Theory; Thirteen Ways of Looking at a
Blackbird; Transport to summer; Wallace Stevens Reads; Wallace Stevens: Poems.
Movies and television:
The
Emperor of Ice Cream (2015); The Extravagant Shadows (2012); Thirteen Ways... (2001).
"Harrowing,
terrifying, and so, so good." – Business Week.
THIS AFTERNOON IN NEW
YORK CITY, AFTER A SUBWAY TRAIN LEFT THE PELHAM STATION AT 1:23 P.M., THE
EVENTS OF THE DAY TOOK A TERRIFYING DETOUR…
“You will all remain
seated. Anyone who tries to get up, or even moves, will be shot. There will be
no further warning. If you move you will be killed…”
Four men, armed with
submachine guns, have seized a New York City subway train, holding all
seventeen passengers – and the entire city – hostage.
The identities of the
hijackers are unknown.
Their demands seem
impossible.
Their threats are real.
Their escape seems
inconceivable.
Only
one thing is certain: they aren’t stopping for anything.
“Who needs caffeine when
you’ve got Glengarry Glen Ross? … David Mamet’s play about a dog-eat-dog
real estate office in Chicago feels like having espresso pumped directly into
your bloodstream…. Mr. Mamet hears American scheming with an exactitude and
delight still surpassed by any other dramatist.” – New York Times.
Winner of the 1984
Pulitzer Prize for Drama, as well as the New York Drama Critic’s Circle Award
for Best American Play and the Drama Desk and Tony Awards for Best American
Play and the Drama Desk and Tony Awards for Best Revival of a Play, Glengarry
Glen Ross is one of the most celebrated and widely performed plays of
recent years. It is a scalding comedy is about small-time, cutthroat real esate
salesmen trying to grind out a living by pushing plots of land onto reluctant
buyers in a never-ending scramble for their fair share of the American dream.
Here, Mamet is at his very best, writing with brutal power about the tough life
of tough people who cajole, connive, wheel and deal for a piece of the action an
existence where closing a sale can mean a brand-new Cadillac, but losing one
can mean losing it everything.
“Wonderfully
funny … a play to see, remember and cherish.” – New York Post.