The Breaker - series. Books 1 - 3:

 

The Breaker

ISBN: 9781656281517

Description:

How do you know the one you love won’t hurt you?

Or even try to kill you?
In many cases … you don’t.

How do we choose our path and purpose in life?

What makes us who we are?
When Seth Egan starts working as a private detective, he knows he’ll make enemies.
It goes with the territory.
As Seth works on a murder case and hunts down the killers, he becomes the target.
Some people have no conscience, shame, empathy, or remorse.
To get their own way, to get what they want, to take everything, they will do anything.
Even murder.
In the end, they will drag you down to hell with them.
Sometimes, our enemies are those closest to us.

Amazon link:

https://t.co/eKFZ03giKR?amp=1

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Bad Blood

ISBN: 9798682203192

Description:

No one is paying Seth Egan for his latest case.

He keeps this one unofficial.

Pro bono publico.

Off the books.

For him, this one is personal.

A matter of bad blood.

A woman with a grudge of her own leads Seth to a place where people vanish without trace.

Money is the motive.

Greed is the motivator.

Scores that can only be settled in blood.

A dark underworld of illegal gambling, prostitution, drugs, violence and murder.

Amazon link:

 

https://t.co/e0XiS8crAr?amp=1

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Mall Maze

ISBN: 9798729917235

Description:

Friday the 13th.

Unlucky for many.

What should have been a routine adultery case ends with Seth Egan fighting for his life.

Cut off from the world.

With no way to call for help.

Trapped in a place where the walls are coming down around him.

Seth is running out of places to hide.

As chaos reigns and the city burns … the hunters close in.

Amazon link:

https://www.amazon.com/dp/B09244XVYW/

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Themes:

Abuse by proxy, Adultery, C-PTSD, crime, detective, domestic abuse, enabler, flying monkey, gaslighting, hardboiled, heist, infidelity, murder, narcissism, narcissist, narcissistic abuse, neo-noir, personality disorder, psychopath, sociopath, suspense, thriller, vigilante, violence.

Books available in hardcover, paperback and Kindle.

A percentage from sales of my books is donated to Multiple Sclerosis (MS) research.

What’s On?

What’s On?

A Guide to Movies and TV Shows

Hardcover

ISBN-13: 9798342696098

Paperback

ISBN-13: 9798341177307

Kindle

ASIN: B0DJTZ8T58

Back cover description:

What’s On? … is the timeless question we have all asked ourselves almost every day of our lives, as we reach for the remote control and settle in front of the TV screen.

Jack Kost, a life-long movie buff and coffee addict, offers his choice of favorite movie and television masterpieces.

Providing possible answers to the question of What’s On? with over 1,900 titles, from golden oldies and timeless classics, to more recent releases, all meticulously logged and summarized.

An invaluable and collectable go-to source for discovering new favorites and revisiting old ones.

Perfect for film enthusiasts and casual viewers alike, this guide will spark conversations, bring back memories, and help you navigate the ever-evolving world of screen entertainment.

A wealth of recommendations and insights from a passionate movie buff to enrich your viewing experience, complete with personal reminiscences and nostalgic reflections, told with a world-wise critical eye, sardonic dry wit, a healthy dose of cynicism, biting observations, and a well-founded rant here and there.

Just don’t challenge or get him started on his personal favorites, like The Shining, Point Blank, Jaws, The Exorcist, The Duellists, Romeo Is Bleeding, or The Ninth Configuration. His opinions on these and other iconic titles are as intense and unyielding as the movies themselves.

All compiled by an author who not only watched the movies, but also read the books on which they were based, did his research, drank a lot of coffee in the process, and advocates for the importance and value of reading.

A glimpse into the over-caffeinated mind of a writer with a passion for great stories.

What’s On? is a celebration of the intersection between page and screen, and a reminder that great on-screen adaptations often start with a great book and a strong cup of coffee.

Kick back, grab your coffee, and enjoy the show!

As author Jack Kost says:

“Happy viewing … and do yourself a favor … read the books.”

Slipped Masks:

Slipped Masks

ISBN: 9781719330640

Description:

I can’t call you because if he hears me talking on the phone he’ll hit me again. He scares me. I know sooner or later he’s going to kill me. I’ll text you again when I can. I love you, Casey. I’ll spend the rest of our lives proving to you how much I love you. Please come. Please save me …

With only text messages to guide him, Casey Byrne is on the hunt, racing across five states to save his ex-girlfriend, Madison.

Casey loves Madison deeply and wants desperately to save her life and rekindle their relationship.

But the closer he gets to her, the more surreal his journey becomes as the dead bodies pile up in his wake.

Clinical Lycanthropy: the delusion that a human can physically transform into a wolf.

If you were insane, would you know it?

How would you see the world if you were convinced you could transform into a wolf?

The hunter … and the hunted.

Slipped Masks is a dark neo-noir thriller about how the need for love and companionship becomes twisted into obsession, possession, jealousy, violence and murder.

A horrifying portrait of Clinical Lycanthropy.

Amazon link:

https://t.co/2Gwb135V3m

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Themes:

Sociopathy, narcissistic abuse, personality disorder, Clinical Lycanthropy, crime, murder.

Book available in hardcover, paperback, and Kindle.

A percentage from sales of this book is donated to Multiple Sclerosis (MS) research.

Work in progress:

My next books are Triangulation and Stinger.

Books 4 and 5 in The Breaker series.

Set in the year 2001, the story continues from Mall Maze.

Themes:

Crime, detective, hardboiled, heist, murder, narcissism, narcissistic abuse, neo-noir, psychopath, sociopath, thriller, vigilante.

 

A percentage from book sales is donated to Multiple Sclerosis (MS) research.

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The Breaker is an on-going series.

I’m outlining other stand-alone thriller novels.

Several coffee table books on my photography and my wife’s artwork.

A humorous book, based on the antics of our crazy pet Ragdoll cat, entitled: It’s That F****** Cat Again!

Here’s a GIF I made of our cat, settling down for another of his daily naps:

On this day in music history - Long Road Out of Eden, by the Eagles (2007):

Long Road Out of Eden

Album by the Eagles,

released October 30, 2007.

Track list:

No More Walks in the Wood; How Long; Busy Being Fabulous; What Do I Do With My Heart; Guilty of the Crime; I Don’t Want to Hear Any More; Waiting in the Weeds; No More Cloudy Days; Fast Company; Do Something; You Are Not Alone; Long Road Out of Eden; I Dreamed There Was No War; Somebody; Frail Grasp on the Big Picture; Last Good Time In Town; I Love to Watch a Woman Dance; Business As Usual; Center of the Universe; It’s Your World Now.

On this day in the Star Trek universe:

Star Trek: The Next Generation (1993)

Star Trek: Voyager (1995 & 1996)

Star Trek: Enterprise (2002)

Star Trek: The Next Generation

Season 7. Episode 7.

Episode entitled: Dark Page.

Released October 30, 1993.

Directed by Les Landau.

Written by Hilary J. Bader, René Echevarria, Naren Shankar.

Created by Gene Roddenberry.

Music by Jay Chattaway.

Cast: Patrick Stewart, Jonathan Frakes, LeVar Burton, Michael Dorn, Gates McFadden, Marina Sirtis, Brent Spiner, Majel Barrett, Norman Large, Kirsten Dunst, Amick Byram, Andreana Weiner, David Keith Anderson, Michael Braveheart, Buck (the Wolf), Tracee Cocco, John Copage, Debbie David, Hal Donahue, Gunnel Eriksson, Fumiko Hamada, Deborah Landis, Christina Wegler Miles, Rad Milo, Gina Saadi, Richard Sarstedt, Teddy (the Wolf); Oliver Theess.

Star Trek: Voyager

Season 2. Episode 8.

Episode entitled: Persistence of Vision.

Released October 30, 1995.

Directed by James L. Conway.

Created by Rick Berman, Michael Piller, Jeri Taylor.

Written by Jeri Taylor, Kenneth Biller, Lisa Klink.

Based on Star Trek, created by Gene Roddenberry.

Music by Dennis McCarthy.

Cast: Kate Mulgrew, Robert Beltran, Roxann Biggs-Dawson, Jennifer Lien, Robert Duncan McNeill, Ethan Phillips, Robert Picardo, Tim Russ, Garrett Wang, Michael Cumpsty, Carolyn Seymour, Stan Ivar, Warren Munson, Lindsey Haun, Thomas Dekker, Patrick Kerr, Marva Hicks, Majel Barrett, John Copage, Tarik Ergin, Susan Henley, Kerry Hoyt, Susan Lewis, Lisa Kennedy Montgomery, Louis Ortiz, Richard Sarstedt.

Star Trek: Voyager

Season 3. Episode 7.

Episode entitled: Sacred Ground.

Released October 30, 1996.

Directed by Robert Duncan McNeill.

Created by Rick Berman, Michael Piller, Jeri Taylor.

Written by Lisa Klink, Geo Athena Trevarthen / Geo Cameron.

Based on Star Trek, created by Gene Roddenberry.

Music by Jay Chattaway.

Cast: Kate Mulgrew, Robert Beltran, Roxann Biggs-Dawson, Jennifer Lien, Robert Duncan McNeill, Ethan Phillips, Robert Picardo, Tim Russ, Garrett Wang, Becky Ann Baker, Estelle Harris, Keene Curtis, Parley Baer, Harry Groener, Renna Bartlett, T. Budeck, Damaris Cordelia, Tarik Ergin, Gregg France, Dorio Gray, Kerry Hoyt, Diane Lee, Irene Lonker.

Star Trek: Enterprise

Season 2. Episode 6.

Episode entitled: Marauders.

Released October 30, 2002.

Directed by Michael/Mike Vejar.

Written by David Wilcox, Rick Berman, Brannon Braga, André Bormanis.

Created by Rick Berman, Brannon Braga.

Based on Star Trek, created by Gene Roddenberry.

Opening theme song: Faith of the Heart, performed by Russell Watson.

Closing theme: Archer's Theme, by Dennis McCarthy.

Music by Velton Ray Bunch.

Cast: Scott Bakula, John Billingsley, Jolene Blalock, Dominic Keating, Anthony Montgomery, Linda Park, Connor Trinneer, Larry Cedar, Steven Flynn, Bari Hochwald, Jesse James Rutherford, Robertson Dean, Wayne King, Peewee Piemonte, Alexandrea Ortiz, Michael Bailous, Chelsea Bond, Michael Braveheart, Mark Correy, Vince Deadrick Jr., Christopher Doyle, Leigh Hennessy, Pablo Soriano.

On this day in movie history - The Hidden (1987):

The Hidden

directed by Jack Sholder,

written by Bob Hunt,

was released in the United States on October 30, 1987.
Music by Michael Convertino.

Cast:

Kyle MacLachlan, Michael Nouri, Claudia Christian, Clarence Felder, Clu Gulager, Ed O’Ross, William Boyett, Richard Brooks, Larry Cedar, Katherine Cannon, John McCann, Chris Mulkey, Lin Shaye, James Luisi, Frank Renzulli, Duane Davis, Kristen Clayton, Whitney Reis, Joey Sagal, Jeff Levine, Mark Morante, Jill Friedman, Rick Lieberman, Joseph Whipp, Donald Willis, Beau Gibson, Joe Perce, Jason Edwards, Joy N. Houck Jr., Mary Petrie, Joey Aresco, Judy Kerr, Luce Morgan, Richard B. Whitaker, Michael Yama, Charlene White, Marc Siegler, Jack McGee, Steve Eastin, Ted White, Loren Haynes, Rachel Todd, Buckley Norris, Lenna Robinson, Cate Caplin, Joe Gilbride, Deke Anderson, Wren T. Brown, Alan Marcus, Mark Phelan, Danny Trejo, Branscombe Richmond, Charles Edward Smith, Lew Hopson, Doug Collins, Bob K. Cummings, Alonzo Brown Jr., Rick Diamond, Charlie Skeen, Robert Brown, Chris Wentzel, Jake (the Dog), Kris Gilpin, Michael Joiner, Robert Shaye.

On this day in television history - M Squad (1959):

M Squad

Season 3. Episode 7.

Episode entitled: Mama’s Boy.

Released October 30, 1959.

Directed by Robert Ellis Miller.

Written by Arthur Rowe.

Music by Benny Carter.

Cast:

Lee Marvin, Paul Newlan, William Allyn, John Beradino, Katharine Warren, Joseph Vitale, Julie Scott, Mary Alan Hokanson, Mike Bradford, Joe Conley, Larry Perron, Sue Randall.

On this day in radio history - The War of the Worlds (1938 radio broadcast & book):

The War of the Worlds

directed by Orson Welles,

originally broadcast on CBS Radio, on October 30, 1938.
A one-hour dramatization, based on the novel by H. G. Wells.
Written by Howard Koch.
Produced by Orson Welles and John Houseman.
Broadcast from 8 – 9 p.m. (ET)
Announced by Dan Seymour.
Hosted by the radio series: The Mercury Theatre on the Air.
Narrated by Orson Welles.
Cast: Orson Welles, Frank Readick, Kenny Delmar, Ray Collins.

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Recommended reading:

Dead Air: The Night That Orson Welles Terrified America

By William Elliott Hazelgrove.

Published by Rowman & Littlefield Publishers.

Published 2024.

Hardcover.

ISBN-10: 1538187167

ISBN-13: 978-1538187166

Description:

A "granular history" (Wall Street Journal) of the greatest hoax in radio history and the panic that followed, which Publishers Weekly calls "a rollicking portrait of a director on the cusp of greatness" and Booklist, in a starred review, says, "Hazelgrove’s feverishly focused retelling of the broadcast as well as the fallout makes for a propulsive read as a study of both a cultural moment of mass hysteria and the singular voice at its root.”

On a warm Halloween Eve, October 30, 1938, during a broadcast of H G. Wells’ War of the Worlds, a twenty-three-year-old Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence – dead air – into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America.

In Dead Air: The Night that Orson Welles Terrified America, Willliam Elliot Hazelgrove illustrates for the first time how Orson Welles’ broadcast caused massive panic in the United States, convincing listeners across the nation that the end of the World had arrived and even leading military and government officials to become involved. Using newspaper accounts of the broadcast, Hazelgrove shows the true, staggering effect that Welles’ opera of panic had on the nation. Beginning with Welles’ incredible rise from a young man who lost his parents early to a child prodigy of the stage, Dead Air introduces a Welles who threw his Hail Mary with War of the Worlds, knowing full well that obscurity and fame are two sides of the same coin. Hazelgrove demonstrates that Welles’ knew he had one shot to grab the limelight before it forever passed him by – and he made it count.

In this fine-grained account, historian Hazelgrove (Writing Gatsby) chronicles the mass hysteria that accompanied Orson Welles's infamous 1938 radio adaptation of H.G. Wells's The War of the Worlds. Hazelgrove presents Welles as an actor of immense ambition and preternatural talent, noting that by age 22, he had put on headline-grabbing plays (the government shut down his 1937 production of The Cradle Will Rock, fearing its pro-labor themes would be incendiary) and traveled around New York City in a faux ambulance to move more quickly between his numerous radio and theatrical commitments. The author recounts the rushed scriptwriting process for War of the Worlds and offers a play-by-play of the broadcast, but he lavishes the most attention on the havoc Welles wreaked. Contemporaneous news accounts reported college students fighting to telephone their parents, diners rushing out of restaurants without paying their bills, families fleeing to nearby mountains to escape the aliens' poisonous gas, and even one woman's attempted suicide. Hazelgrove largely brushes aside contemporary scholarship questioning whether the hysteria's scope matched the sensational news reports, but he persuasively shows how the incident reignited elitist fears that "Americans were essentially gullible morons" and earned Welles the national recognition he'd yearned for. It's a rollicking portrait of a director on the cusp of greatness. – Publishers Weekly.

Orson Welles may be best known for his film Citizen Kane, but a much earlier outing in his career led to the opportunity to make such an artistically ambitious undertaking. Hazelgrove charts Welles' rise from a hectic childhood to the anointed genius of stage, radio, and, eventually, film. But it was the night before Halloween in 1938 when Welles' bombastic radioplay rendition of H.G Wells' War of the Worlds, styled as a breaking-news report, caused an uproar. Arriving at a nexus point when Americans began not only to rely on the relatively new invention of radio for entertainment but also as a trusted news source, the radioplay brought many who were listening to the brink of madness, wholly believing that aliens had actually touched down in a New Jersey town. Suicides, car accidents, and general unrest swept the country, and, at show's end, Welles could only wonder if his career (and even freedom) was over too. Hazelgrove's feverishly focused retelling of the broadcast as well as the fallout makes for a propulsive read as a study of both a cultural moment of mass hysteria and the singular voice at its root. – Booklist, Starred Review.

William Elliott Hazelgrove's richly anecdotal "Dead Air" is the story of Welles's landmark October 1938 radio broadcast and the nationwide panic that resulted. Welles's "you are there" adaptation, crafted to imitate a breaking-news bulletin, sent a tremor of panic into listeners across the country who believed it to be a real report of a flying-saucer invasion. Mr. Hazelgrove has scoured regional newspapers of the time to provide a ground-level view of the hysteria that Welles's radio drama instilled—on the night before Halloween, no less. – Wall Street Journal.

"A fantastical tale about Martians coming to earth and incinerating humans with heat ray guns - up to 12 million people tuned in and were convinced aliens were exterminating the human race." – Daily Mail UK.

"The book highlights what made Welles' production particularly powerful, airing at a time when millions remained unemployed from the Great Depression and the nation was on edge about the threat of Nazi Germany. He details how Welles took advantage of those fears, including using an actor who sounded like Franklin D. Roosevelt for a part in his broadcast.

"A bottled-up sense of panic was in the air and people could almost smell the fear," he writes. "Orson Welles would open that bottle and let the fear run wild." – Associated Press.

"A convincing portrait of the artist as a young man—defiant, reckless, ruthless, and teeming with talent and ambition—Dead Air packs delights worthy of its subject." – New York Journal of Books.