The Postman Always Rings Twice
Hard times reveal people’s true natures.
Often the worst side.
The
Postman Always Rings Twice (1981), was directed by Bob Rafelson, and released in the United States on March 20, 1981.
His
previous notable directorial credits include: Five Easy Pieces (1970),
and The King of Marvin Gardens (1972), also starring Jack Nicholson.
The
screenplay, by David Mamet, was based on the 1934 hardboiled novel of the same
title, by James M. Cain.
David Mamet’s writing and directing credits include: House
of Games (1987), Homicide (1991), Hoffa (1992), and Heist
(2001).
Set during the depression era, Frank Chambers (Jack Nicholson) is a
drifter with a criminal record, an opportunistic petty crook and conman, thumbing
rides on his way to wherever he can make a fast buck.
He pulls a fast one at a
roadside gas station and diner: conning the owner, Nick (John Colicos) into
giving him a free meal.
Nick also sees an opportunity and hires Frank as cheap
labor.
Nick’s beautiful wife, Cora (Jessica Lange), immediately catches Frank’s attention.
With
no better prospects, Frank takes the job.
Frank and Cora are bad people.
Selfish
to the point where it can be said they ultimately deserve each other.
Frank is
the kind of man who will smile to your face and then knock you down for the
cash in your pocket.Cora makes up the trio of opportunists.
She married Nick
not for love, but as a way out of hardship; only succeeding in marrying out of
one hash house into another.
Cora is a scheming femme-fatale: a vamp, fully
aware of her seductive power.
She is bored, dissatisfied, and unhappy in her
marriage to Nick, an older and oafish drunk.
He’s no better; coarse and
insensitive, selfish in his own way, taking Cora for granted.Cora feels
neglected, used, and trapped.
Nick tells Cora he has a surprise for her, but it
turns out to be a silk robe he bought for himself.
When Frank and Cora first
make love on the kitchen table, the coupling is as violent and desperate as it
is passionate.Frank is ready to leave, suggesting to Cora that they both just
take off together and leave Nick.
Cora is worried that Nick would come after
them and sooner or later he’d catch up and she’d face his retribution.
Frank
and Cora see in each other a way out, a way to a better future, a life
together, with Nick’s business as their own.
The dynamic of the situation can only
go one way.It was never going to end well.
Nick is in the way.
Nick may not
deserve the brutal end Frank and Cora inflict on him, but it’s still difficult
for us to feel any sympathy for him.
After a failed attempt to kill Nick, the
balance of power shifts between Frank and Cora and, fearing she will lose
Frank, seduces him into murder:
CORA:I gotta have you, Frank. If it was just
us. If it was just you and me.
FRANK:
What are you talking about?
CORA:
I’m
tired of what’s right and wrong.
FRANK:
They hang people for that, Cora.
Beneath
the passion, there is a coldness to this movie, as cold as Frank and Cora are
to Nick and, at times, each other.It’s this cold, cruel, selfishness that prevents us from
sympathizing for how they end up.
The novel has been filmed several times, with
plays adapted for radio and stage, including an opera.
The 1981 movie version is
superior in its gritty realism.
The script and actors were not constrained by
the censorship of previous times; they could tell it like it played out in the author’s
imagination.
Although harshly criticized on its release, the movie has endured
and stands as a high-point in the careers of all involved.
The supporting cast
includes: Michael Lerner, John P. Ryan, William Traylor, Ron Flagge, William
Newman, Albert Henderson, Christopher Lloyd, Jon Van Ness, and Brion James.
The
color tones in the movie are subdued, mostly varying shades of brown,
reflecting the drabness of the times.
The music, by Michael Small, evokes an
atmosphere of the time, in a neo-noir setting of drama, seduction, infidelity,
deception, and murder.
Frank and Cora’s doomed relationship swings from love to
hate.How can a relationship, borne out of infidelity and murder, marred by
suspicion, hope to survive?
Frank has a lazy streak, and a weakness for
gambling.
When Cora goes out of town to visit her ailing mother, Frank shirks
responsibility when left alone.
He closes the diner, takes off, encounters a
traveling circus, and cheats on Cora with a wild cat tamer, played by Anjelica
Huston.
Cora discovers Frank’s betrayal and takes it badly.
It further confirms
Frank’s true nature, adding fuel to the fire of their already unstable
relationship: cheaters cheat.If they cheat with you, chances are they'll cheat on you.It also confirms a double-standard in Cora: it was one thing Cora cheating on
Nick with Frank, but another thing entirely when Frank cheated on her with
another woman.
What goes around comes around.
If events had panned out
different for Frank and Cora, they might have become victims to their own
nature.
Stuck in another rut.
Frank may have found himself meeting a similar
end to Nick.
It’s an old story.A cautionary morality tale of stupid, selfish
people making stupid, selfish choices.
Highlighting a recurring bad choice many
people make, generation after generation: the mirage of the grass seeming
greener on the other side of the fence.
It isn’t.
They fool themselves into
thinking the new lover will be the perfect partner, able to provide them with
the perfect life.
They quickly learn the new partner comes with faults and
problems of their own.
The trip to the other side of that proverbial fence is
often one-way.
The wrong choice is made, the bridge is then burned and, like Frank
and Cora, they find themselves in a worse situation.
They may cheat the
hangman, but life, fate, justice, karma – whatever you choose to call it – has
a way of ringing twice.
Recommended reading:
The Postman Always Rings Twice
by James M. Cain
Published by Vintage.
First published 1934.
Paperback.
ISBN-10: 0679723250
ISBN-13: 978-0679723257
Description:
“A good, swift, violent story.” – Dashiell Hammett.
“A poet of the tabloid murder.” – Edmund Wilson.
An amoral young tramp. A beautiful, sullen woman with an inconvenient husband. A problem that has only one grisly solution — a solution that only creates other problems that no one can ever solve.
First published in 1934, The Postman Always Rings Twice is a classic of the roman noir. It established James M. Cain as a major novelist with an unsparing vision of America’s bleak underside and was acknowledged by Albert Camus as the model for The Stranger.
“I make no conscious effort to be tough, or hard-boiled, or grim, or any of the things I am usually called. I merely try to write as the character would write, and I never forget that the average man … has acquired a vividness of speech that goes beyond anything I could invent.” – James M. Cain.
.jpg)
.jpg)
.jpg)
%201.jpg)
%201.jpg)
%202.jpg)
%201.jpg)
%202.jpg)
%203.jpg)
%204.jpg)
%205.jpg)
%206.jpg)
%207.jpg)
%208.jpg)
%209.jpg)
%201.jpg)
%202.jpg)
%203.jpg)
%204.jpg)
%205.jpeg)
%206.jpg)
%207.jpg)
%208.jpg)
%209.jpg)
%201.jpg)
%202.jpg)
%203.jpg)
%204.jpg)
%205.jpg)
%206.jpg)
%207.jpg)
%201.jpg)
%202.jpg)