3-Ring
Marriage (1928); A Trip Thru a Hollywood Studio (1935); A Very Honorable Guy
(1934); A Woman of the Sea (1926); Annabel Takes a Tour (1938); Big City (1937);
Breakfast at Sunrise (1927); Broadway Babies (1929); Broadway Highlights No. 2
(1935); Coronado (1935); Cross Country Cruise (1934); Employees' Entrance (1933);
Fashion News (1930); Flamingo Road (1949); Gentlemen Prefer Blondes (1928); Gift
of Gab (1934); Girls' Town (1942); Girls Will Be Boys (1929); Harold Teen (1928);
Hollywood and the Stars (1963); Hollywood on Parade No. A-12 (1933); Hollywood
on Parade No. A-13 (1933); Hollywood on Parade No. B-6 (1934); Hollywood
Singing and Dancing: A Musical History - The 1920s: The Dawn of the Hollywood
Musical (2008); Hot Stuff (1929); Jimmy the Gent (1934); King for a Night (1933);
King of the Newsboys (1938); Lingerie (1928); Luxury Liner (1933); Mad Hour
(1928); Naughty Baby (1928); Picture Snatcher (1933); Playing Around (1930); Secret
of the Chateau (1934); Show Girl (1928); Show Girl in Hollywood (1930); Show of
Shows (1929); Sweet Mama (1930); Sweet Music (1935); Sweethearts on Parade
(1930); Telephone Operator (1937); The American Beauty (1927); The Ann Sothern
Show (1958); The Big Noise (1928); The Dice Woman (1926); The Dove (1927); The
Girl from Woolworth's (1929); The Hollywood Gad-About (1934); The Naughty Flirt
(1930); The Night of January 16th (1941); The Private Life of Helen of Troy
(1927); The Satin Woman (1927); The Sea Tiger (1927); The Widow from Chicago
(1930).
The Age of Dimes and
Pulps: A History of Sensationalist Literature, 1830-1960
By Jeremy Agnew.
Published by McFarland.
Published 2018.
Illustrated edition.
Paperback.
ISBN-10: 1476669481
ISBN-13: 978-1476669489
Description:
From the dime novels of
the Civil War era to the pulp magazines of the early 20th century to modern
paperbacks, lurid fiction has provided thrilling escapism for the masses.
Cranking out formulaic stories of melodrama, crime and mild erotica – often by
uncredited authors focused more on volume than quality – publishers realized
high profits playing to low tastes. Estimates put pulp magazine circulation in
the 1930s at 30 million monthly.
This
vast body of "disposable literature" has received little critical
attention, in large part because much of it has been lost – the cheaply made
books were either discarded after reading or soon disintegrated. Covering the
history of pulp literature from 1850 through 1960, the author describes how
sensational tales filled a public need and flowered during the evolving social
conditions of the Industrial Revolution.