The Searchers
directed by John Ford,
written by Frank S. Nugent,
based
on the novel by Alan Le May,
was released in the United States on May 26, 1956.
Music by Max Steiner.
Cast:
John Wayne, Jeffrey
Hunter, Vera Miles, Ward Bond, Natalie Wood, John Qualen, Olive Carey, Henry
Brandon, Ken Curtis, Harry Carey Jr., Antonio Moreno, Hank Worden, Beulah
Archuletta, Walter Coy, Dorothy Jordan, Pippa Scott, Patrick Wayne, Lana Wood, Gertrude
Astor, Pipe Line Begishe, Exactly Sonnie Betsuie, Danny Borzage, Ruth Clifford,
Carmen D'Antonio, Tommy Doss, Pete Grey Eyes, Feather Hat Jr., Nacho Galindo, Chuck
Hayward, Jack Tin Horn, Harry Black Horse, Away Luna, Robert Lyden, Cliff Lyons,
Peter Mamakos, Mae Marsh, Frank McGrath, Bob Many Mules, Jack Pennick, Lloyd
Perryman, Prince (dog), Chuck Roberson, Smile
White Sheep, Many Mules Son, Percy Shooting Star, William Steele, Chief
Thundercloud, Terry Wilson, Billy Yellow.
Recommended reading:
The Searchers
By Alan Le May.
Filmed as The Searchers (1956), directed by John Ford.
Published by Harper & Brothers.
First published 1954.
ISBN-10: 0843961724
ISBN-13: 978-0843961720
Description:
On the Texas frontier, a Comanche war party attacks the Edwards ranch and kills all the inhabitants, except for the two girls carried away with them. In the name of civilization, a group of pioneers take off in hot pursuit, into a savage world of unexpected dangers, false hopes, and darkest despair.
By Edward Buscombe.
Published by British Film Institute.
Published 2022.
ISBN-10: 1839024690
ISBN-13: 978-1839024696
Description:
“The Searchers is an insightful analysis … Replete with a wealth of information on the production of The Searchers, and graced with thought-provoking commentary, Buscombe's book is a stimulating introduction to a great American film.” – Journal of American Culture.
John Ford's masterpiece The Searchers (1956) was voted the seventh greatest film of all time in Sight & Sound's most recent poll of critics. Its influence on many of America's most distinguished contemporary filmmakers, among them Martin Scorsese, Paul Schrader, and John Milius, is enormous. John Wayne's portrait of the vengeful Confederate Ethan Edwards gives the film a truly epic dimension, as does his long and lonely journey into the dark heart of America. Edward Buscombe's insightful study provides a detailed commentary on all aspects of the film, drawing on material in the John Ford archive at Indiana University, including Ford's own memos and the original script, which differs in vital respects from the film he made, to offer new insights into the film's production history.