40 Short
Stories: A Portable Anthology (2000); 50 Great American Short Stories (1963); 50
Great Short Stories (1952); 65 Great Tales Of Horror (1981); A Fable (1954); A
Rose for Emily (1930); Absalom, Absalom! (1936); As I Lay Dying (1930); Barn
Burning (1996); Barn Burning and other stories (1939); Big Woods (1955); Collected
Stories (1948); Doctor Martino and Other Stories (1934); First Fiction: An
Anthology of the First Published Stories by Famous Writers (1994); Flags in the
Dust (1973); Go Down, Moses (1942); Growing Up in the South (1991); Intruder in
the Dust (1948); Jealousy and Episode (1977); Knight's Gambit (1949); Light in
August (1932); Louisiana Stories (1990); Magical Realist Fiction (1984); Marble
Faun and a Green Bough (1960); Mayday (1978); Mosquitoes (1927); New Orleans
Sketches (1957); Ole Miss Juvenilia (2018); Pylon (1935); Requiem for a Nun (1950);
Road to Glory (1981); Sanctuary (1931); Sanctuary and Requiem for a Nun (1954);
Sartoris (1929); Selected Short Stories (1956); Short Story Masterpieces: 35
Classic American and British Stories from the First Half of the 20th Century (1954);
Soldiers' Pay (1926); Stories of the Modern South (1977); The Bear (1942); The
Best American Mystery Stories of the Century (2000); The Best American Short
Stories of the Century (2000); The Best Horror Stories (1977); The Essential
Faulkner (2013); The Hamlet (1940); The Mansion (1959); The Marionettes (1978);
The Reivers (1962); The Short Story: 30 Masterpieces (1992); The Sound and the
Fury (1929); The Town (1957); The Unvanquished (1938); The Wild Palms / If I
Forget Thee Jerusalem (1939); These 13 (1931); Three Famous Short Novels (1958);
Uncle Willy and Other Stories (1967); Uncollected Stories of William Faulkner (1979);
Wishing Tree (1927); World's Great Mystery Stories (1943); Writers At Work: The
Paris Review Interviews (1957); Writers: Their Lives and Works (2018); Writing
Los Angeles (2002).
Movies and
television:
A
Rose for Emily (1983); Adventures of Don Juan (1948); Air Force (1943); As I
Lay Dying (2013); Background to Danger (1943); Barn Burning (1980); Camera
Three (1956–1958); Cheyenne (1956); Climax! (1954–1955); Deep Valley (1947); Dim
(1958); Drums Along the Mohawk (1939); Estudio 1 (1977); Fireside Theatre (1952);
Flesh (1932); Four Men and a Prayer (1938); Fumée / Smoke (1961); General
Electric Theater (1960); God Is My Co-Pilot (1945); Gunga Din (1939); Intruder
in the Dust (1949); Invitation au voyage (2021); Kaki Bakar (1995); Land of the
Pharaohs (1955); Lazy River (1934); Lux Video Theatre (1953–1957); Mildred
Pierce (1945); Mississippi Requiem (2018); Moi, général de Gaulle (1990); Noga
(1991); Northern Pursuit (1943); Old Man (1997); Omnibus / Segment: William
Faulkner (1952); Playhouse 90 (1958–1960); Playwrights '56 (1955); Relatos
Clásicos de Misterio y Terror (2020); Requiem for a Nun (1975); Requiem für
eine Nonne (1965); Sanctuary (1961); Slave Ship (1937); Sling Blade (1996); Submarine
Patrol (1938); Suspense (1954); Tales from the Hollywood Hills: Golden Land (1988);
The Bear (1980); The Big Sleep (1946); The Loneliness Trilogy (2008); The Long
Hot Summer (1985); The Long, Hot Summer (1958–1966); The Past Is Never Dead:
The Story of William Faulkner (2024); The Reivers (1969); The Road to Glory
(1936); The Sound and the Fury (1959 / 2009 / 2014); The Southerner (1945); The
Story of Temple Drake (1933); The Tarnished Angels (1957); To Have and Have Not
(1944); Today We Live (1933); Tomorrow (1972); Two Soldiers (1986 / 2003); Vacation
Playhouse (1964).
A
Gambler's Way (1914); A Romance of the Hills (1913); Across the Plains (1911); Alkali
Ike and the Hypnotist (1913); Broncho Billy and the Sheriff's Kid (1913); Broncho
Billy's Bible (1912); Broncho Billy's Christmas Deed (1913); Broncho Billy's
Christmas Dinner (1911); Broncho Billy's Reason (1913); Broncho Billy's Sermon
(1914); Broncho Billy's Squareness (1913); Hard Luck Bill (1913); Love on Tough
Luck Ranch (1912); Snakeville's Fire Brigade (1914); Snakeville's Home Guard (1914);
Sophie's Birthday Party (1914); That Pair from Thespia (1913); The Atonement (1914);
The Cast of the Die (1914); The Cowboy Samaritan (1913); The Dance at Eagle
Pass (1913); The Dance at Silver Gulch (1912); The Last Shot (1913); The Two
Ranchmen (1913); The Weaker's Strength (1914); Western Girls (1912).
Filmed as Rope (1948),
directed by Alfred Hitchcock.
Published by Constable.
Paperback.
ISBN-10: 0094508607
ISBN-13: 978-0094508606
Description:
Genre: Drama.
Characters: 6 males, 2
females.
Scenery: Interior.
For
the mere sake of adventure, danger, and the "fun of the thing,"
Wyndham Brandon persuades his weak-minded friend, Charles Granillo, to assist
him in the murder of a fellow undergraduate, a perfectly harmless man named
Ronald Raglan. They place the body in a wooden chest, and to add spice to their
handiwork, invite a few acquaintances, including the dead youth's father, to a
party, the chest with its gruesome contents serving as a supper table. The
horror and tension are worked up gradually; thunder grows outside, the guests
leave, and we see the reactions of the two murderers, watched closely by the
suspecting lame poet, Rupert Cadell. Finally, they break down under the strain
and confess their guilt.
Filmed as The Big
Town (1987), directed by Ben Bolt and Harold Becker.
First published 1967.
Published by Fawcett / Gold
Medal.
ASIN: B0012513FS
Paperback.
Description:
A high-tension novel of
the seething underworld of the professional crapshooter – where the women come
easy and the points come hard.
Before young J.C. Cullen
hit Chicago, nobody had ever heard of him. But Cully knew he had it- the cool,
the guts, the skill, the magic... whatever it took to be a winner. The big-time
players in Chicago had never seen anything like him. Within a week he was known
in every gambling haunt in the city... every bar, brothel, striptease joint,
and backroom. He was Cully the Arm, King of the crapshooters. He was hated,
envied, respected... and lonely. Then he met Lorry. Beautiful, tempting, and
evil as Hell. As skilled in sex as he was with dice. And far deadlier. The game
she played had no rules – and no limit. Cully knew this, but he couldn't stop.
Even though the stake was his own life.