A
Corner in Colleens (1916); A Dark Horse (1915); A Woman of Nerve (1915); Bred
in the Bone (1915); Crooked Straight (1919); Desert Gold (1919); Double Trouble
(1915); Eye of the Night (1916); Flooey and Axel (1915); For the Honor of
Bettina (1915); Insinuation (1922); Intolerance (1916); Jane Eyre (1914); Marked
Cards (1918); Mountain Dew (1917); Old Love for New (1918); That Something (1920);
The Bankhurst Mystery (1915); The Blooming Angel (1920); The Bride of Hate
(1917); The Charcoal-Burner's Son (1939); The Clodhopper (1917); The Deadly
Focus (1915); The Desert Man (1917); The Fatal Hour (1915); The Flames of
Chance (1918); The Gunfighter (1917); The Hand at the Window (1918); The Hard
Rock Breed (1918); The Honorable Algy (1916); The House of Whispers (1920); The
Last of the Ingrams (1917); The Law of the Great Northwest (1918); The Lucky
Transfer (1915); The Man of It (1915); The Mother Instinct (1917); The
Offenders (1924); The Opal Pin (1915); The Primal Lure (1916); The Return of
Draw Egan (1916); The Showdown (1915); The Silent Feminists: America's First
Women Directors (1993); The Sin Ye Do (1916); The Stab (1915); The Ten O'Clock
Boat (1915); The Way of a Mother (1915); Two of a Kind (1920); Unwinding It (1915);
Venus in the East (1919); Why Not Marry? (1922); Wild Sumac (1917); Without
Honor (1918); Wolf Lowry (1917).
A Galloway Song; A Song
About Myself; A Song of Opposites; A Party Of Lovers; Acrostic: Georgiana
Augusta Keats; Addressed to Haydon; Addressed to the Same; After dark vapours
have oppressed our plains; Apollo to the Graces; An Extempore; As from the
darkening gloom a silver dove; As Hermes once took to his feathers light; Before
he went to live with owls and bats; Ben Nevis: A Dialogue; Blue!—’Tis the life
of heaven—the domain; Bright star, would I were stedfast as thou art; Calidore:
A Fragment; Character of C. B.; Epistle To John Hamilton Reynolds; Endymion; Extracts
from an Opera; Faery Songs; Fancy; Fill for me a brimming bowl; For there’s
Bishop’s Teign; Fragment Of “The Castle Builder”; Fragment of an Ode to Maia; God
of the meridian; Happy is England! I could be content; Hence burgundy, claret,
and port; Hither, hither, love; How many bards gild the lapses of time; Hush,
hush, tread softly, hush, hush, my dear; Hymn To Apollo; Hyperion; I am as
brisk; I cry your mercy—pity—love!—aye, love; I had a dove, and the sweet dove
died; I stoof tip-toe upon a little hill; Imitation of Spenser; In after time a
sage of mickle lore; In drear nighted December; Isabella; or, the Pot of Basil;
Keen, fitful gusts are whisp’ring here and there; King Stephen: A Fragment of a
Tragedy; La Belle Dame sans Merci: A Ballad; Lamia; Lines on Seeing a Lock of
Milton’s Hair; Lines on the Mermaid Tavern; Lines (Unfelt, unheard, unseen…); Lines
Written on 29 May, the Anniversary of Charles’s Restoration, on Hearing the
Bells Ringing; Meg Merrilies; Modern Love; Not Aladdin magian; O grant that
like to Peter I; O Solitude! if I must with thee dwell; O thou whose face hath
felt the winter’s wind; Ode (Bards of Passion and of Mirth); Ode on a Grecian
Urn; Ode on a Melancholy; Ode on Indolence; Ode to a Nightingale; Ode to Apollo;
Ode to Psyche; Of late two dainties were before me plac’d; Oh! how I love, on a
fair summer’s eve; On a Leander Which Miss Reynolds, My Kind Friend, Gave Me; On
Fame (“Fame, like a wayward girl”); On Fame (“How fever’d is the man”); On
First Looking into Chapman’s Homer; On Leaving Some Friends at an Early Hour; On
Peace; On Receiving a Curious Shell, and a Copy of Verses, from the Same Ladies;
On Receiving a Laurel Crown from Leigh Hunt; On Seeing the Elgin Marbles; On
Sitting Down to Read King Lear Once Again; On Some Skills in Beauley Abbey,
near Inverness; On the Grasshopper and Cricket; On the Sea; On the Sonnet; On
Visiting the Tomb of Burns; On Leigh Hunt’s Poem, the ‘Story of Rimini’; Otho
the Great: A Tragedy in Five Acts; Over the hill and over the dale; Read me a
lesson, Muse, and speak it loud; Robin Hood; Sharing Eve’s Apple; Sleep and
Poetry; Song of Four Fairies: Fire, Air, Earth, and Water; Sonnet to Byron; Sonnet
to Chatterton; Sonnet to Sleep; Sonnet to Spenser; Specimen of an Induction to
a Poem; Spirit here that reignest; Stay, ruby breated warbler, stay; Sweet,
sweet is the greeting of eyes; The day is gone, and all its sweets are gone; The
Eve of St. Agnes; The Eve of St. Mark; The Fall of Hyperion: A Dream; The Human
Seasons; The Gadfly; The Gothic looks solemn; The Cap And Bells; Or, The
Jealousies: A Faery Tale (Unfinished); There is a joy in footing slow across a
silent plain; Think not of it, sweet one, so; This living hand, now warm and
capable; This mortal body of a thousand days; Time’s sea hath been five years
at its slow ebb; Tis the “witching time of night”; To.- (Had I a man’s fair
form, then might my sighs); To.- (Hadst tho liv’d in days of old); To a Friend
Who Sent Me Some Roses; To a Young Lady Who Sent Me a Laurel Crown; To Ailsa
Rock; To Autumn; To Charles Cowden Clarke; To Emma; To G. A. W.; To George
Felton Mathew; To Haydon with a Sonnet Written on seeing the Elgin Marbles; To
Homer; To Hope; To J. H. Reynolds; To Kosciusko; To Leigh Hunt, Esq.; To Mrs.
Reynold’s Cat; To My Brother George (epistle); To My Brother George (sonnet); To
My Brothers; To one who has been long in city pent; To Some Ladies; To the
Ladies Who Saw Me Crown’d; To the Nile; Translated From A Sonnet Of Ronsard; Two
or three posies; What can I do to drive away; When I have fears that I may
cease to be; Where by ye going, you Devon maid; Where’s the Poet? (Fragment); Why
did I laugh tonight? No voice will tell; Woman! when I behold thee flippant,
vain; Women, wine, and snuff; Written in Disgust of Vulgar Superstition; Written
on the Day That Mr. Leigh Hunt Left Prison; Written On The Blank Space Of A
Leaf At The End Of Chaucer’s Tale Of The Flowre And The Lefe; You say you love,
but with a voice.
Movies and television:
Bright Star (2009); Camera
Three (1958); CariƱo, sabes que soy de otro planeta (2022); Count the Ways (1975);
Isabella and the Pot of Basil (2004); La belle dame sans merci (2005); La Belle
Dame Sans Merci by John Keats (1997); New in November 2011 (2012); The Eve of
St. Agnes (1950); The Merciless Beauty (2016); The Sunday Programme (2003); Venus
Blue (1998).
The classic novel of sexual obsession and murder amid the
star-making machinery of Hollywood in the 1950s.
"She was as white as marble, but she looked
lovely. Her hair was splayed out in fine
strands of gold, and her lips were bright, rich red, and there was a green
eyeshadow on her eyelids. You could see
that because her eyes were closed and she was lying very still. She was lying still and she wasn't
breathing."
With its portraits of washed-up directors, jaded leading
men, and a ruthless cop whose one-track mind leads straight to a cyanide
pellet, I Wake Up Screaming is a magnificent thriller by a Hollywood
insider whose screenplays included Lady in the Lake and I, Mobster.