Celebrating music in the
movies.
Showing posts with label movie. Show all posts
Showing posts with label movie. Show all posts
Thursday, April 3, 2025
Wednesday, March 26, 2025
Born on this day – Sterling Hayden:
Sterling Hayden
Actor
Writer
March 26, 1916 – May 23, 1986
Credits:
The Blue and the Gray
(1982); Venom (1981); Gas (1981); 9 to 5 (1980); The Outsider (1979); Winter
Kills (1979); King of the Gypsies (1978); The Godfather Saga (1977); 1900
(1976); Is It Any Wonder? (1975); Cry, Onion (1975); Deadly Strangers (1975); Banacek
(1972); The Final Programme (1973); The Starlost (1973); The Long Goodbye
(1973); Le grand départ (1972); The Godfather (1972); Angel's Leap (1971); Loving
(1970); Ternos Caçadores (1969); Hard Contract (1969); Carol for Another
Christmas (1964); Dr. Strangelove or: How I Learned to Stop Worrying and Love
the Bomb (1964); The DuPont Show of the Month (1957); Goodyear Theatre (1958);
The Eighty Yard Run (Playhouse 90) (1957–1958); Ten Days to Tulara (1958); Terror
in a Texas Town (1958); Schlitz Playhouse (1954–1958); General Electric Theater
(1957); Zero Hour! (1957); Wagon Train (1957); Gun Battle at Monterey (1957); Valerie
(1957); The Iron Sheriff (1957); Zane Grey Theatre (1957); Crime of Passion
(1956); 5 Steps to Danger (1956); Celebrity Playhouse (1956); The Killing
(1956); The Come On (1956); Top Gun (1955); The Last Command (1955); Shotgun
(1955); The Eternal Sea (1955); Timberjack (1955); Battle Taxi (1955); Suddenly
(1954); Naked Alibi (1954); Johnny Guitar (1954); Arrow in the Dust (1954); Prince
Valiant (1954); Fighter Attack (1953); So Big (1953); The Philip Morris
Playhouse (1953); Crime Wave (1953); Take Me to Town (1953); Kansas Pacific
(1953); The Star (1952); Flat Top (1952); The Golden Hawk (1952); Hellgate
(1952); Denver & Rio Grande (1952); Flaming Feather (1952); Journey Into
Light (1951); The Asphalt Jungle (1950); Manhandled (1949); El Paso (1949); Variety
Girl (1947); Blaze of Noon (1947); Bahama Passage (1941); Virginia (1941).
Wednesday, February 19, 2025
Born on this day – Lee Marvin:
Actor
February 19, 1924 – August 29, 1987
Credits:
The Delta Force (1986); The
Dirty Dozen: Next Mission (1985); Dog Day (1984); Gorky Park (1983); Death Hunt
(1981); The Big Red One (1980); Avalanche Express (1979); The Great Scout &
Cathouse Thursday (1976); Shout at the Devil (1976); The Klansman (1974); The
Spikes Gang (1974); The Iceman Cometh (1973); Emperor of the North (1973); Prime
Cut (1972); Pocket Money (1972); Monte Walsh (1970); Paint Your Wagon (1969); Hell
in the Pacific (1968); Sergeant Ryker (1968); Point Blank (1967); The Dirty
Dozen (1967); The Professionals (1966); Ship of Fools (1965); Cat Ballou (1965);
Bob Hope Presents the Chrysler Theatre (1965); Dr. Kildare (1962–1964); The
Killers (1964); The Great Adventure (1963); Kraft Suspense Theatre (1963); The
Twilight Zone (1961–1963); Combat! (1963); Donovan's Reef (1963); The Dick
Powell Theatre (1963); The Untouchables (1961–1962); The Virginian (1962); The
DuPont Show of the Week (1962); The Man Who Shot Liberty Valance (1962); Bonanza
(1962); Ben Casey (1962); Route 66 (1961); The Comancheros (1961); The
Investigators (1961); Alcoa Premiere (1961); General Electric Theater (1954–1961);
Checkmate (1961); Wagon Train (1960–1961); The Americans (1961); The Barbara
Stanwyck Show (1961); M Squad (1957–1960); Sunday Showcase (1960); Westinghouse
Desilu Playhouse (1959); Schlitz Playhouse (1954–1959); Climax! (1955–1958); The
Missouri Traveler (1958); Raintree County (1957); Kraft Theatre (1947); Studio
57 (1957); Pillars of the Sky (1956); Attack (1956); 7 Men from Now (1956); The
Rack (1956); Front Row Center (1956); Kraft Theatre (1956); Shack Out on 101
(1955); I Died a Thousand Times (1955); Studio One (1955); Jane Wyman Presents
the Fireside Theatre (1955); Pete Kelly's Blues (1955); A Life in the Balance
(1955); Not as a Stranger (1955); Violent Saturday (1955); TV Reader's Digest
(1955); Bad Day at Black Rock (1955); Medic (1954); Center Stage (1954); The
Raid (1954); The Caine Mutiny (1954); Gorilla at Large (1954); The Pepsi-Cola
Playhouse (1954); The Plymouth Playhouse (1953); The Wild One (1953); Suspense
(1950–1953); The Motorola Television Hour (1953); Gun Fury (1953); The Revlon
Mirror Theater (1953); The Big Heat (1953); The Stranger Wore a Gun (1953); The
Doctor (1953); The Glory Brigade (1953); Seminole (1953); Dragnet (1952–1953); Eight
Iron Men (1952); Biff Baker, U.S.A. (1952); Hangman's Knot (1952); The Duel at
Silver Creek (1952); We're Not Married! (1952); Diplomatic Courier (1952); Boston
Blackie (1952); Down Among the Sheltering Palms (1952); Fireside Theatre (1952);
The Web (1951); Teresa (1951); You're in the Navy Now (1951); Treasury Men in
Action (1950); The Big Story (1950); Escape (1950).
Sunday, January 5, 2025
Adulterers (2015) - free will ... and its consequences:
Adulterers
Adulterers is a cautionary tale, a powerful
drama inspired by true events, and far more compelling than the contrived Fatal Attraction (1987) and Unfaithful (2002).
How you feel at the
end of Adulterers may depend on your personal
experience of the subject it deals with.
It’s right there in the title.
If you’ve
ever been cheated on by your significant other – then this movie might sting.
If
you have cheated on your significant other – then this movie should rightly
sting if you have any conscience and sense of guilt about the choice you made.
Consequences
for making the wrong choice is the theme unflinchingly examined in this movie, released in the United States on January 5, 2016, written, produced and directed by H.M. Coakley.
Lead actor, Sean Farris threw
himself into this role of a betrayed husband.
We see the anguish of his character,
his pain, regret, broken heart, broken life, and ultimately broken mind.
Sean Farris
is Samuel, a store assistant, working extra hours during a sweltering New Orleans
afternoon.
It’s his first wedding anniversary; a special day in any marriage.
Samuel
is a proud and happy man, deeply in love with his wife, Ashley (Danielle Savre).
He regrets having to work so many hours and laments at their lack of money, but
he plans on making it up to Ashley.
He swings by his home halfway through his
day, carrying his wife’s favorite flowers and chocolates.
Besides their money
troubles, all seems right with Samuel’s world until he catches Ashley and her
lover, Damien (Mehcad Brooks), naked, having sex in the bedroom.
Devastated, Samuel
shoots them both.
This is not a spoiler; it happens within the first twelve
minutes.
Downstairs, he sits on the couch, and drinks whiskey straight from the bottle.
Suffering a psychological break, he rethinks the situation.
This time, in
his imagination, he doesn’t pull the trigger.
What if I’d waited instead of acting on impulse?
What would I say to
them?
How far would I go to punish them?
What would they say to justify their
sin, or lie their way out of the situation?
These questions are the basis
for the imagined trial and torture he puts his wife and her lover through in
that stifling room.
As Samuel struggles with the pain of betrayal and
infidelity, the wedding ring, crucifix and Bible often the focus of the camera,
he struggles with his faith.
Finally, as Samuel himself points out:
"You ain't sorry. You're just sorry that you got caught. It's time that you dealt with the consequences of your actions."
In forcing them to face the consequences of their actions, Samuel is then left to face the consequences of his own.
There are no winners in this story; everyone is destroyed.
Adultery …
it’s all fun and games ... until you get caught!
Friday, December 13, 2024
The Telephone Box (1972) - it’s enough to give you phone phobia!
La Cabina / The Telephone Box (1972)
Shortly
before New Year, we watched Phone Booth (2002)
again, a great thriller starring Colin Farrell, Forest Whitaker,
Katie Holmes, Radha Mitchell, and Kiefer Sutherland.
Farrell plays an unscrupulous New York publicist who
answers a ringing phone in a booth he’s standing next to.
The caller warns him
he’ll be killed if he attempts to leave the booth … and … the story develops from there.
The claustrophobic atmosphere of Phone Booth reminded me of a 1972 Spanish short movie I saw on TV
during the mid-‘80’s called La Cabina
(aka The Telephone Box).
A unfortunate
guy (José Luis López Vázquez), in a world long before the invention of the cell
phone, attempts to make a call in a street booth.
The door closes on him as he
discovers the phone doesn’t work.
He tries to leave, but the door is locked
tight.
He’s trapped in there a long time as a crowd of onlookers gather … and …
the story develops from there.
La Cabina is
quirky and dated, but still worth the half-hour to watch, with an original
story that delivers a surreal and scary twist.
Although
street booths have mostly disappeared, La
Cabina is a great reason to own a cell phone … but then you have to
consider what happened in Stephen King’s novel: Cell.
Yikes!
I read
that folks in Spain, shortly after La
Cabina was released on December 13, 1972, took to preventing the door in phone booths from
shutting completely by keeping their foot in the gap.
I can’t
imagine why.
Labels:
1972,
2002,
Antonio Mercero,
Cell,
cinema,
December 13,
horror,
José Luis Garci,
José Luis López Vázquez,
La Cabina,
movie,
Phone Booth,
short,
Spain,
Spanish,
Stephen King,
The Telephone Box,
thriller,
TV movie
Thursday, October 31, 2024
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