Showing posts with label Joe Turkel. Show all posts
Showing posts with label Joe Turkel. Show all posts

Thursday, June 25, 2026

On this day in movie history - Blade Runner (1982 movie & books):

Blade Runner

directed by Ridley Scott,
written by Hampton Fancher and David Peoples,
based on the novel Do Androids Dream of Electric Sheep? by Philip K. Dick,
was released in the United States on June 25, 1982.
Music by Vangelis.


Cast:

Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James, Joe Turkel, Joanna Cassidy, James Hong, Morgan Paull, Hy Pyke.

Recommended reading:


Do Androids Dream of Electric Sheep?

By Philip K. Dick.

Filmed as Blade Runner (1982), directed by Ridley Scott.

ASIN: 0586036059
Published by Voyager.
First published 1968.
Paperback.
ISBN-10: 0006482805
ISBN-13: 978-0586036051

Description:

21st Century Bounty Hunter.

Through the mean streets of a grim 21st century megalopolis, bounty hunter Rick Deckard stalked, searching out the renegade replicants who were his prey. But this assignment involved Nexus-6 targets and as a result Deckard quickly found himself involved in a nightmare kaleidoscope of violence and subterfuge – and the threat of death for the hunter rather than the hunted…

“A marvelous and complex book, simply written but leaving all kinds of resonance in the mind.” – Brian W. Aldiss.


Future Noir:
The Making of Blade Runner

by Paul M. Sammon.

Revised & Updated Edition.

ISBN-10: 0062699466
ISBN-13: 978-0062699466

Description from back cover:

The ultimate guide to Ridley Scott’s transformative sci-fi classic Blade Runner.

Ridley Scott’s 2007 “Final Cut” confirmed the international film cognoscenti’s judgment: Blade Runner, based on Philip K. Dick’s brilliant and troubling science fiction masterpiece Do Androids Dream of Electric Sheep?, is among the most visually dense, thematically challenging, and influential science fiction films ever made. Future Noir Revised & Updated Edition offers a deeper understanding of this cinematic phenomenon that is storytelling and visual filmmaking at its best.

In this intensive, intimate, and anything-but-glamorous behind-the-scenes account, film insider and cinephile Paul M. Sammon explores how Ridley Scott purposefully used his creative genius to transform the work of science fiction’s most uncompromising author into a critical sensation and cult classic that would reinvent the genre. Sammon reveals how the making of the original Blade Runner was a seven-year odyssey that would test the stamina and the imagination of writers, producers, special effects wizards, and the most innovative art directors and set designers in the industry at the time it was made. This revised and expanded edition of Future Noir includes:

An overview of Blade Runner’s impact on moviemaking and its acknowledged significance in popular culture since the book’s original 1996 publication.

An exploration of the history of Blade Runner: The Final Cut and its theatrical release in 2007.

A look at its long-awaited sequel, Blade Runner 2049.

The longest interview Harrison Ford has ever granted about Blade Runner.

Exclusive new interviews with Rutger Hauer and Sean Young.

A fascinating look at the ever-shifting interface between commerce and art, illustrated with production photos and stills, Future Noir provides an eye-opening and enduring look at modern moviemaking, the business of Hollywood, and one of the greatest films of all time.


Blade Runner:
The Inside Story

By Don Shay.

Published by Titan Books.
Published 2003.
ISBN-10: 1840232102
ISBN-13: 9781840232103

Description:

In 1982, to coincide with Blade Runner's original release, Cinefex, the respected magazine devoted to movie design and special effects devoted an entire, extended issue to Ridley Scott's sci-fi masterpiece. That issue has been out of print since then, but in constant demand – copies now sell on the collector's market for over $100. Titan Books is proud to bring this classic back into print, in a remastered hardcover edition.

Described as 'the single most comprehensive examination of Blade Runner's special effects', this must-have book contains scores of images not available elsewhere, as well as authoritative text, containing in-depth, exclusive interviews with director Ridley Scott and the legendary designer Syd Mead.

Saturday, May 23, 2026

On this day in movie history - The Shining (1980 movie & novel):


The Shining

directed by Stanley Kubrick,
written by Stanley Kubrick and Diane Johnson,
based on the novel by Stephen King,
was released in the United States on May 23, 1980.
Music by Wendy Carlos and Rachel Elkind.


Cast:

Jack Nicholson, Shelley Duvall, Danny Lloyd, Scatman Crothers, Barry Nelson, Philip Stone, Joe Turkel, Anne Jackson, Tony Burton, Lia Beldam, Billie Gibson, Barry Dennen, Lisa Burns, Louise Burns, David Baxt, Manning Redwood, Robin Pappas, Alison Coleridge, Burnell Tucker, Jana Shelden, Kate Phelps, Norman Gay, Pauline Chamberlain, Ina Clare, Maxwell Craig, Paul Desbois, Lynda Fisher, Charlie Gray, Aidan Harrington, Alan Harris, George Holdcroft, Barrie Holland, Vivian Kubrick, Aileen Lewis, Bertha Lynn, Derek Lyons, Peter McNamara, Cathy Munroe, Eddie O'Dea, Jennifer O'Neill, Chris Parsons, Glenn Rinker, Bunny Seaman, Guy Standeven, Reg Thomason, Brian V. Towns.

Recommended reading:


The Shining

By Stephen King.

Filmed as:
The Shining (1980), movie directed by Stanley Kubrick.
The Shining (1997), TV miniseries directed by Mick Garris.

Published by Hodder.
First published 1977.
ISBN 13: 9780340920930
ISBN 10: 0340920939
ASIN: 0340920939
Paperback.

Description:

Danny is only five years old, but he is a 'shiner', aglow with psychic voltage. When his father becomes caretaker of an old hotel, his visions grow out of control. Cut off by blizzards, the hotel seems to develop an evil force, and who are the mysterious guests in the supposedly empty hotel?

Somewhere, somehow there is an evil force in the hotel and that too has begun to shine...

Wednesday, May 20, 2026

On this day in movie history - The Killing (1956 movie & novel):


The Killing

directed and written by Stanley Kubrick,
dialogue written by Jim Thompson,
based on the novel Clean Break, by Lionel White,
was released in the United States on May 20, 1956.
Music by Gerald Fried.


Cast:

Sterling Hayden, Coleen Gray, Vince Edwards, Jay C. Flippen, Ted de Corsia, Marie Windsor, Elisha Cook Jr., Joe Sawyer, James Edwards, Timothy Carey, Kola Kwariani, Jay Adler, Tito Vuolo, Dorothy Adams, Herbert Ellis, James Griffith, Cecil Elliott, Joe Turkel, Steve Mitchell, Mary Carroll, William Benedict, Charles Cane, Robert B. Williams, Tom Coleman, Rodney Dangerfield, Franklyn Farnum, John George, Art Gilmore, Sol Gorss, Harry Hines, Kenner G. Kemp, Carl M. Leviness, Hal J. Moore, Harvey Parry, Richard Reeves, Frank Richards, Arthur Tovey.

Recommended reading:


Clean Break

By Lionel White.

Filmed as The Killing (1956), directed by Stanley Kubrick.

Published by Chosho Publishing.
First published 1955.
Paperback.
ISBN-10: 1958425516
ISBN-13: 978-1958425510

Description:

Johnny Clay, an ex-con determined to strike it rich, has worked out a fool-proof scheme to knock off a racetrack payroll. The two million bucks should be enough to last him a lifetime or two. But a two-faced dame has another idea: Let Johnny do the work, then she'll grab the swag for herself and her boyfriend.

Johnny Clay’s plan to rob the Long Island race track was daring and highly original. Johnny, an ex-convict, had spent his prison years thinking through every possible hitch to his scheme until he was sure it could go off like clockwork.

His four confederates were not known to the police for they were not professional criminals. They had been picked because they were ordinary nondescript men, all with money problems and a touch of larceny in their hearts. Mike Henty was a bartender at the track and George Peatty a cashier, both essential inside men. Martin Unger, a court stenographer, had put up the initial cash and Randy Kennan, a cop, was to get the money away from the track after Johnny had done the actual robbing.

There were in addition three others who were to do a specific jobs for a cash payment. To one of these men fell the assignment of shooting the favorite in the famous Canarsie Stakes. Once this was accomplished, the robbery was set into motion.

The crime in this story is a grand coup, fantastic yet completely possible if everything clicked. So too has Lionel White achieved a grand coup in the telling of the story as he concentrates first on one character then on another, picking up the individual threads and building them into a brilliantly integrated climax. Clean Break is a masterpiece of originality, a highly plotted and ingeniously executed story of suspense.