On this day in movie history - The Big Sleep (1978):

The Big Sleep

directed and written by Michael Winner,

based on the novel by Raymond Chandler,

was released in the United States on March 13, 1978.
Narrated by Robert Mitchum.
Music by Jerry Fielding.

Cast:

Robert Mitchum, Sarah Miles, Richard Boone, Candy Clark, Joan Collins, Edward Fox, John Mills, James Stewart, Oliver Reed, Harry Andrews, Colin Blakely, Richard Todd, Diana Quick, James Donald, John Justin, Simon Fisher Turner, Martin Potter.

On this day in movie history - Call Northside 777 (1948):

Call Northside 777

directed by Henry Hathaway,

written by Jerome Cady, Jay Dratler, Leonard Hoffman and Quentin Reynolds,

was released in the United States on February 13, 1948.

Based on the true 1932 Joseph Majczek case,

and articles written by James P. McGuire and Jack McPhaul,

published in the Chicago Daily Times in 1944.

Narrated by Truman Bradley.

Music by Alfred Newman.

Cast:

James Stewart, Richard Conte, Lee J. Cobb, Helen Walker, Betty Garde, Kasia Orzazewski, Joanne De Bergh, Howard Smith, Moroni Olsen, John McIntire, Paul Harvey, Robert Adler, Richard Bishop, Larry J. Blake, John Bleifer, Truman Bradley, Dollie Caillet, Michael Chapin, George Cisar, Jane Crowley, Jimmy Dime, Abe Dinovitch, Rex Downing, Eddie Dunn, Lew Eckles, Ben Erway, Joseph Forte, Helen Foster, Stanley Gordon, Walter Greaza, Jonathan Hale, Buck Harrington, Percy Helton, Samuel S. Hinds, Perry Ivins, Robert Karnes, Leonarde Keeler, Cy Kendall, J.M. Kerrigan, Carl Kroenke, Paul Kruger, Henry Kulky, Charles Lane, Philip Lord, Jack Mannick, E.G. Marshall, Norman McKay, George Melford, Charles Miller, Edward Peil Jr., George Pembroke, Wanda Perry, Arthur Peterson, Joe Ploski, William Post Jr., Addison Richards, Thelma Ritter, Richard Rober, Dick Ryan, Peter Seal, Lester Sharpe, George Spaulding, Ray Spiker, Lionel Stander, Ann Staunton, Freddie Steele, George Turner, George Tyne, Bill Vendetta, Otto Waldis, Duke Watson, Robert B. Williams.

On this day in movie history - Rope (1948):

Rope

directed by Alfred Hitchcock,

written by Arthur Laurents and Hume Cronyn,

based on the novel by Patrick Hamilton,

was released in the United States on September 25, 1948.
Music by David Buttolph, Francis Poulenc and Leo F. Forbstein.

Cast:

James Stewart, Dick Hogan, John Dall, Farley Granger, Edith Evanson, Douglas Dick, Joan Chandler, Cedric Hardwicke, Constance Collier, Alfred Hitchcock.

On this day in movie history - The Shootist (1976 movie & novel):

The Shootist

directed by Don Siegel,

written by Miles Hood Swarthout and Scott Hale,

based on the novel by Glendon Swarthout,

was released in the United States on July 21, 1976.
Music by Elmer Bernstein.

Cast:

John Wayne, Lauren Bacall, Ron Howard, James Stewart, Richard Boone, Hugh O'Brian, Bill McKinney, Harry Morgan, John Carradine, Sheree North, Rick Lenz, Scatman Crothers, Gregg Palmer, Alfred Dennis, Dick Winslow, Melody Thomas Scott, Kathleen O'Malley, Jack Berle, Johnny Crawford, Chuck Dawson, George Dunn, Duke Fishman, Christopher George, Jonathan Goldsmith, Leo Gordon, Charles G. Martin, Jim Michael, Ernesto Molinari, Ricky Nelson, James Nolan, Nick Raymond, Henry Slate, Bob Steele, Ralph Volkie, John Zimeas.

Recommended reading:

The Shootist

By Glendon Swarthout.

Introduction by Miles Swarthout.

Filmed as The Shootist (1976), directed by Don Siegel.

Published by Bison Books.

First published 1975.

ISBN-10: 0803238231

ISBN-13: 9780803238237

Description:

"Such style...such a strong central idea...the showdown is an unremitting as the build-up." – Sunday Times of London.

"This is an extremely well-written Western and gives the reader vivid insight into the workings of the mind of a wanderer and gunman." – Baton Rouge, Louisiana Sunday Advocate.

"The Shootist by Glendon Swarthout is the taleof the Old West's version of the modern 'hit man'. It is a splendid story, well-told and with a really satisfying ending." – Charleston, South Carolina Evening Post.

The Shootist is John Bernard Books, a man of principle and the only surviving gunfighter in a vanishing American West. He rides into El Paso in the year 1901, on the day Queen Victoria died, there to be told by a doctor that he must soon confront the greatest shootist of all: Death. In such a showdown, against such an antagonist, he cannot win. Most men may end their days in bed or take their own lives, but a man-killer has a 3rd option, one which Books decides to exercise. He may choose his own executioner.

As word spreads that the famous assassin has reached the end of his rope, an assortment of vultures gathers to feast upon his corpse--among them a gambler, a rustler, an undertaker, an old love, a reporter, even a boy. Books outwits them, however, by selecting the where, when, who, and why of his death, and writing in fire from a pair of Remingtons the last courageous act of his own legend. The climatic gunfight itself is an incredible performance by an incredible man, and by his creator, Glendon Swarthout.

The Shootist will rank with such classics as Shane and The Ox-Bow Incident, but it is much more than a Western. When, in the final afternoon of his life, J. B. Books crosses a street and enters a saloon to make something of his death, we cross, we enter, with him. He is us.

From a corner of the south window Gillom Rogers spied on the new lodger. The man unpacked his valise and put things in a drawer of the chiffonier, then hung his Price Albert coat in the closet. When he turned from the closet he was in shirt and vest. The boy's eyes rounded. Sewn to each side of the vest was a holster, reversed, and in each holster was a pistol, butt forward. As he watched, sucking in his breath, the man took the weapons out, revolved the cylinders, filled a chamber in one he had evidently fired, and replaced them before hanging the vest, too, in the closet. The pistols were a pair of nickel-plated, short-barreled, unsighted, single-action .44 Remingtons, obviously manufactured to order. The handle of one was black gutta-percha, the other pearl.

Gillom slipped away to take the horse to the livery, letting the breath of revelation out of his lungs. He was seventeen, and spent much of his time in saloons. He was not yet served, but he enjoyed himself and picked up a great deal of miscellaneous information, some of it true, some of it of doubtful authenticity. But the man in corner room was no stranger to him now. He had heard enough scalp-itch, blood-freeze tales to know that only one man carried a similar pair of guns in a similar manner...

On this day in movie history - Anatomy of a Murder (1959):

Anatomy of a Murder

directed by Otto Preminger,

written by Wendell Mayes,

based on the novel by Robert Traver,

was released in the United States on June 29, 1959.
Music by Duke Ellington.

Cast:

James Stewart, Lee Remick, Ben Gazzara, Arthur O'Connell, Eve Arden, Kathryn Grant, George C. Scott, Orson Bean, Russ Brown, Murray Hamilton, Brooks West, Ken Lynch, John Qualen, Howard McNear, Alexander Campbell, Ned Wever, Jimmy Conlin, Royal Beal, Joseph Kearns, Don Ross, Lloyd Le Vasseur, James Waters, Joseph N. Welch, Danny the Dog, Duke Ellington, Irv Kupcinet, Lawrence K. Paquin, Chuck Ramsay, Mrs. Joseph Welch.

On this day in movie history – Vertigo (1958 movie & books)

Vertigo

directed by Alfred Hitchcock,

written by Alec Coppel and Samuel Taylor,

based on the novel D’entre les morts,

translation: From Among the Dead, by Boileau-Narcejac (Pierre Boileau and Thomas Narcejac),

was released in the United States on May 28, 1958.
Music by Bernard Herrmann.

Cast:

James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore, Henry Jones, Raymond Bailey, Ellen Corby, Konstantin Shayne, Lee Patrick, David Ahdar, Isabel Analla, Jack Ano, Margaret Bacon, John Benson, Danny Borzage, Margaret Brayton, Paul Bryar, Boyd Cabeen, Steve Conte, Jean Corbett, Bruno Della Santina, Roxann Delman, Harry Denny, Molly Dodd, Bess Flowers, Raoul Freeman, Joe Garcio, Joanne Genthon, Kenneth Gibson, Don Giovanni, Roland Gotti, Victor Gotti, Fred Graham, Robert Haines, Buck Harrington, Alfred Hitchcock, Jimmie Horan, Art Howard, Catherine Howard, June Jocelyn, Perk Lazelle, John Marlin, Miliza Milo, Lyle Moraine, Forbes Murray, Julian Petruzzi, Ezelle Poule, Kathy Reed, William Remick, Jack Richardson, Jeffrey Sayre, Nina Shipman, Dori Simmons, Ed Stevlingson, Sara Taft.

Recommended reading:

D’entre les morts

translation: From Among the Dead

By Boileau-Narcejac (Pierre Boileau and Thomas Narcejac).

Filmed as Vertigo (1958), directed by Alfred Hitchcock.

Published by Pushkin Vertigo.

First published 1954.

ISBN-10: 1782279741

ISBN-13: 978-1782279747

Description:

In World War II-era Paris, a troubled-ex policeman is entangled in a web of deceit and lies when he investigates a woman’s strange behavior.

Flavières doesn’t really want to investigate his old’s friend’s wife, but he doesn’t feel he has much of a choice. Madeleine has been behaving strangely, and her husband wants answers – answers that she isn’t willing to give him.

As WWII rages around him, Flavières is drawn into an obsessive cat-and-mouse chase across Paris. Soon his intrigue is replaced by obsession and his dreams by nightmares, as he edges towards discovering a dark, terrible secret.

The most celebrated collaboration of a ground-breaking crime-writing duo, Vertigo is the timeless story of morality and revenge, and the inspiration for Hitchcock’s iconic film.

Vertigo

By Charles Barr.

Published by British Film Institute.

Published 2012.

2nd edition.

ISBN-10: 1844574989

ISBN-13: 9781844574988

Description:

Vertigo (1958) is widely regarded as not only one of Hitchcock's best films, but one of the greatest films of world cinema. Made at the time when the old studio system was breaking up, it functions both as an embodiment of the supremely seductive visual pleasures that 'classical Hollywood' could offer and – with the help of an elaborate plot twist – as a laying bare of their dangerous dark side. The film's core is a study in romantic obsession, as James Stewart's Scottie pursues Madeleine/Judy (Kim Novak) to her death in a remote Californian mission. Novak is ice cool but vulnerable, Stewart – in the darkest role of his career – genial on the surface but damaged within.

Although it can be seen as Hitchcock's most personal film, Charles Barr argues that, like Citizen Kane, Vertigo is at the same time a triumph not so much of individual authorship as of creative collaboration. He highlights the crucial role of screenwriters Alec Coppel and Samuel Taylor and, by a combination of textual and contextual analysis, explores the reasons why Vertigo continues to inspire such fascination.

In his foreword to this special edition, published to celebrate the 20th anniversary of the BFI Film Classics series, Barr looks afresh at Vertigo alongside the recently-rediscovered 'lost' silent The White Shadow (1924), scripted by Hitchcock, which also features the trope of the double, and at the acclaimed contemporary silent film The Artist (2011), which pays explicit homage to Vertigo in its soundtrack.