The Favorite (1989); Number
One with a Bullet (1987); Code of Vengeance (1986); Remembrance of Love (1982);
Loving Couples (1980); Fast Break (1979); Roll of Thunder, Hear My Cry (1978); Damnation
Alley (1977); Midway (1976); Airport 1975 (1974); The Man from Independence
(1974); Legend in Granite (1973); Frankenstein: The True Story (1973); Linda
(1973); Double Indemnity (1973); Partners in Crime (1973); Madigan (1972); Banacek
(1972); The Longest Night (1972); McCloud (1971–1972); Columbo (1971); Rabbit,
Run (1970); The Traveling Executioner (1970); The Illustrated Man (1969); Strategy
of Terror (1969); No Way to Treat a Lady (1968); The Secret War of Harry Frigg
(1968); Kaleidoscope (1966); Harper (1966); The Third Day (1965); Kraft
Suspense Theatre (1964–1965); Dr. Kildare (1963–1964); I'd Rather Be Rich (1964);
Arrest and Trial (1963); East Side / West Side (1963); The Alfred Hitchcock
Hour (1963); Alcoa Premiere (1963); The Eleventh Hour (1963); The DuPont Show
of the Week (1962); Westinghouse Presents: That's Where the Town Is Going (1962);
The Defenders (1962); The Law and Mr. Jones (1961); The Enchanted Nutcracker (1961);
Theatre '62 (1961); Westinghouse Presents: Come Again to Carthage (1961); Route
66 (1961); Naked City (1961); Our American Heritage (1960–1961); Sunday
Showcase (1960–1961); The Twilight Zone (1959–1961); Art Carney Special
(1960–1961); Kraft Theatre / The United States Steel Hour (1960); The Robert
Herridge Theater (1960); Destiny, West! (1960); The DuPont Show with June
Allyson (1959); The Sound of Miles Davis (1959); Oldsmobile Music Theatre (1959);
The Ten Commandments (1959); Alcoa Theatre (1958); Suspicion (1957–1958); General
Electric Theater (1956–1958); Victor Borge's Comedy in Music III (1958); Studio
One (1957–1958); The Seven Lively Arts (1957); Climax! (1956–1957); Star Stage
(1955–1956); Goodyear Playhouse (1955); Kraft Theatre / The Philco Television
Playhouse (1955); Hollywood Opening Night (1952); Hollywood Theatre Time (1951);
One Man's Family (1949).
Showing posts with label Jack Smight. Show all posts
Showing posts with label Jack Smight. Show all posts
Monday, March 9, 2026
Saturday, February 28, 2026
On this day in movie history - The Green Glove (1952):
The Green Glove
aka The White Road,
directed by Jack Smight,
written by Charles
Bennett,
based on a story by Charles Bennett,
was
released in the United States on February 28, 1952.
Narrated by John Dehner.
Music by Joseph Kosma.
Narrated by John Dehner.
Music by Joseph Kosma.
Glenn Ford, Geraldine
Brooks, Cedric Hardwicke, George Macready, Gaby André, Jany Holt, Roger
Tréville, Juliette Gréco, Georges Tabet, Meg Lemonnier, Paul Bonifas, Jean
Bretonnière, Edmond Ardisson, Maurice Bénard, Daniel Cauchy, Jacques Clancy, John
Dehner, Guy Henry, Roger Legris, Frédéric O'Brady, Michel Seldow.
Friday, February 27, 2026
On this day in movie history - Number One with a Bullet (1987):
Number One with a Bullet
directed by Jack
Smight,
written by Gail Morgan Hickman, Andrew
Kurtzman, Rob Riley and James Belushi,
based on a story by Gail Morgan Hickman,
was released in the United States on February 27, 1987.
Music by Alf Clausen.
Cast:
Robert
Carradine, Billy Dee Williams, Valerie Bertinelli, Peter Graves, Doris Roberts,
Bobby Di Cicco, Ray Girardin, Barry Sattels, Mykelti Williamson, Jon Gries, Richard
Minchenberg, Michael Goodwin, LaGena Hart, Alex Rebar, Artie Ripp, Daniel
Demorest, Vanessa Bell Calloway, Valerie McIntosh, Eddie Frescas, John Durbin, Tony
Pierce, Joyce Cunning, Larry Poindexter, Chris DeRose, Ken Gibbel, Jerome
Chambers, Venice Kong, Stacey Binn, David Sargent, Gene LeBell, Nick Cinardo, Angela
Elayne Gibbs, Bill Gazzarri, Manuel Márquez, José González, Jeff Jensen, David
Efron, Spice Williams-Crosby, Jean Malahni, Casey Griffin, Timothy Noyes, Patricia
L. Desmond, Ancel Cook, Shari Shattuck, John Hazelwood, Chris Brown, Willie H.
Reaves, Yvette Cruise, Jason Scura, Daniel D. Halleck, Bill M. Ryusaki, Carl
Ciarfalio, Manny Perry, Dyee Dysart, Virgil Wilson, Herb Tanney, Kim Marriner, Prince
Hughes, Jim Wilkey, Bob Aprea, Michael Yama, Faith Minton, James M. Halty, Lorrie
Marlow, Natalie Alexander, George Vasilios Choulos, Gerald Walsh, Ted Mehous, Claude
A. Wyle, Kevin Seymour, Hope Kelley, Helen Kelly, Shawn McBurney.
Monday, February 23, 2026
On this day in movie history – Harper a.k.a. The Moving Target (1966 movie & novel):
Harper
directed by Jack Smight,
written by William Goldman,
based on the novel The Moving Target by Ross Macdonald,
was released in
the United States on February 23, 1966.
Cast:
Paul Newman, Lauren
Bacall, Julie Harris, Arthur Hill, Janet Leigh, Pamela Tiffin, Robert Wagner, Robert
Webber, Shelley Winters, Harold Gould, Roy Jenson, Strother Martin.
Recommended reading:
The Moving Target
aka Harper.
By Ross MacDonald.
ISBN-10: 037570146X
ISBN-13: 978-0375701467
Published 1949.
Back cover description:
CRIME FICTION
“Ross Macdonald remains the grandmaster, taking the crime novel to new heights by imbuing it with psychological resonance, complexity of story, and richness of style that remain awe-inspiring. Those of us in his wake owe a debt that can never be paid. – Jonathan Kellerman.
Like many Southern California millionaires, Ralph Sampson keeps odd company. There’s the sun-worshipping holy man whom Sampson once gave his very own mountain; the fading actress with sidelines in astrology and S&M. Now one of Sampson’s friends may have arranged his kidnapping. And as Lew Archer follows the clues from the canyon sanctuaries of the megarich to jazz joints where you get beaten up between sets, The Moving Target blends sex, greed, and family hatred into an explosively readable crime novel.
“Macdonald is one of a handful of writers in the [mystery] genre whose worth and quality surpass the limitations of the form.” – Los Angeles Times.
If any writer can be said to have inherited the mantle of Dashiell Hammett and Raymond Chandler, it was Ross Macdonald. Between the later 1940s and his death in 1983, he gave the American crime novel a psychological depth and moral complexity that his predecessors had only hinted at. And in the character of Lew Archer, Macdonald redefined the private eye as a roving conscience whop walks the treacherous frontier between criminal guilt and human sin.
VINTAGE CRIME / BLACK LIZARD
Monday, October 13, 2025
On this day in movie history - Double Indemnity (movie & books):
Double Indemnity
directed by Jack Smight,
written by Steven Bochco, Billy Wilder, Raymond Chandler,
based on the novel by
James M. Cain,
released in the United States on October 13, 1973.
Music by Billy
Goldenberg.
Cast: Richard Crenna,
Lee J. Cobb, Robert Webber, Samantha Eggar, Arch Johnson, Kathleen Cody, John
Fiedler, John Elerick, Joan Pringle, Gene Dynarski, Ken Renard, Joyce Cunning,
Arnold F. Turner, Rand Brooks, Tom Curtis, John Furlong.
Recommended reading:
Double Indemnity
By James M. Cain.
Filmed as:
Double Indemnity (1944), directed by Billy Wilder.
Double Indemnity (1973), directed by Jack Smight.
Published by Vintage
Crime/Black Lizard.
Published 1943.
Paperback.
ISBN-10: 9780679723226
ISBN-13: 9780679723226
Description:
“An American
masterpiece.” – Ross Macdonald.
“No one has ever stopped
reading in the middle of one of Jim Cain’s books.” – Saturday Review of
Literature.
Walter Huff was an
insurance salesman with an unfailing instinct for clients who might be in
trouble, and his instinct led him to Phyllis Nirdlinger. Phyllis wanted to buy
an accident policy on her husband. Then she wanted her husband to have an
accident. Walter wanted Phyllis. To get her, he would arrange the perfect
murder and betray everything he had ever lived for.
Tautly narrated and
excruciatingly suspenseful, Double Indemnity gives us an X-ray view of
guilt, of duplicity, and of the kind of obsessive, loveless love that
devastates everything it touches. First published in 1935, this novel
reaffirmed James M. Cain as a virtuoso of the roman noir.
Double Indemnity: The
Complete Screenplay
By Billy Wilder, Raymond
Chandler, Jeffrey Meyers.
Published by University
of California Press.
Published 2000.
ISBN-10: 0520218485
ISBN-13: 9780520218482
Description:
On every level --
writing, direction, acting -- Double Indemnity (1944) is a triumph and
stands as one of the greatest achievements in Billy Wilder's career. Adapted
from the James M. Cain novel by director Wilder and novelist Raymond Chandler,
it tells the story of an insurance salesman, played by Fred MacMurray, who is
lured into a murder-for-insurance plot by Barbara Stanwyck, in an archetypal
femme fatale role. From its grim story to its dark, atmospheric lighting, Double
Indemnity is a definitive example of World War II-era film noir. Wilder's
approach is everywhere evident: in the brutal cynicism the film displays, the
moral complexity, and in the empathy we feel for the killers. The film received
almost unanimous critical success, garnering seven Academy Award nominations.
More than fifty years later, most critics agree that this classic is one of the
best films of all time. The collaboration between Wilder and Raymond Chandler
produced a masterful script and some of the most memorable dialogue ever spoken
in a movie.
This
facsimile edition of Double Indemnity contains Wilder and Chandler's
original -- and quite different -- ending, published here for the first time.
Jeffrey Meyers's introduction contextualizes the screenplay, providing
hilarious anecdotes about the turbulent collaboration, as well as background
information about Wilder and the film's casting and production.
Subscribe to:
Comments (Atom)

%201.jpg)
%202.jpg)
%203.jpg)
%204.jpg)
%205.jpg)
%206.jpg)
%207.jpg)
.jpg)
%203.jpg)
%204.jpg)
%205.png)
%206.jpeg)
%208.jpg)
%209.png)
%2010.jpg)
%2011.jpg)
%2012.jpg)
%2013.jpg)
%201.jpg)
%202.jpg)
.jpg)
%201.jpg)
%202.jpg)
%203.jpg)
%204.jpg)
%205.jpg)
%206.jpg)
%207.jpg)
%208.jpg)
.jpg)