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Early Film Noir: Greed,
Lust and Murder Hollywood Style (2003).
By William Hare.
Published by McFarland
& Company.
Paperback.
ISBN-10: 0786416297
ISBN-13: 978-0786416295
Description:
The name is French and
it has connections to German expressionist cinema, but film noir was inspired
by the American Raymond Chandler, whose prose was marked by the gripping
realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions,
cul-de-sac apartments, corporate boardrooms, and flop houses of America.
Chandler and the other
writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer,
Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible
for the creation of the film noir genre and its common plots and themes, are
the main focus of this work. It correlates the rise of film noir with the new
appetites of the American public after World War II and explains how it was
developed by smaller studios and filmmakers as a result of the emphasis on
quality within a deliberately restricted element of cities at night. The author
also discusses how RKO capitalized on films such as Murder, My Sweet and
Out of the Past – two of film noir's most famous titles – and film
noir's connection to British noir and the great international triumph of Sir
Carol Reed in The Third Man.
Contents: Foreword; Introduction;
Film Noir: Chandler and the American Institution with a French Name; A Blend of
Three Great Talents: Double Indemnity (1944); Women of Danger and RKO's Noir
Factory; Dmytryk and the RKO Team; Jane Greer: Hollywood's Unforgettable Femme
Fatale; Laura (1944); An Obsession in White and a Final Reckoning: The Postman
Always Rings Twice (1946); British Noir: The Third Man (1949) and Across the
Bridge (1957); Synopses of Major Films; Bibliography; Index.
