A Panorama of American Film Noir (1941-1953)
By Raymond Borde &
Etienne Chaumeton.
Translated from French
by Paul Hammond.
Published by City Lights
Publishers.
Published 2002.
ISBN-10: 087286412X
ISBN-13: 9780872864122
Description:
"...the book notes
the influence of criminal psychology on film noir and how German Expressionism
inspired directors..." – San Francisco Chronicle Book Review.
When it appeared in
France in 1955, A Panorama of American Film Noir was the first book ever
on the genre: this clairvoyant study of Hollywood film noir is at last
available in English translation.
A Panorama of American
Film Noir addresses the essential
amorality of its subject from a decidedly Surrealist angle, focusing on noir's
dreamlike, unwonted, erotic, ambivalent and cruel atmosphere, and setting it in
the social context of mid-century America.
Beginning with the first
film noir, The Maltese Falcon, and continuing through the post war
"glory days," which included such films as Gilda, The Big Sleep,
Dark Passage and The Lady from Shanghai, Borde and Chaumeton
examine the dark sides of American society, film and literature that made film
noir possible, even necessary.
A Panorama of American
Film Noir includes a film noir
chronology, a voluminous filmography, a comprehensive index and a selection of
black-and-white production stills.
"Incredibly, this
is the first English translation of the very influential 1955 French book that
initially identified, described and assessed the Hollywood movies that we now
term film noir . . . a seminal work of cinema description and analysis and
therefore an essential purchase for most libraries." – From the Starred
Review in Library Journal.
Raymond Borde (1920 -
2004), founder of the Cinémathèque de Toulouse, wrote extensively on
film history; among his short films is a study of the artist Pierre Molinier.
Etienne
Chaumeton was the film critic of the Toulouse newspaper La Dépêche until
his death.
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