Silent Movies
The Birth of Film and the Triumph of Movie Culture
by Peter Kobel.
Preface by Martin
Scorsese.
Foreword by Kevin
Brownlow.
Published by Little,
Brown and Company.
Published 2007.
Hardcover.
ISBN-10: 0316117919
ISBN-13: 978-0316117913
Description:
Drawing on the
extraordinary collection of The Library of Congress, one of the greatest
repositories for silent film and memorabilia, Peter Kobel has created the
definitive visual history of silent film. From its birth in the 1890s, with the
earliest narrative shorts, through the brilliant full-length features of the
1920s, Silent Movies captures the greatest directors and actors and
their immortal films.
Silent Movies also looks at the technology of early film, the use of
color photography, and the restoration work being spearheaded by some of
Hollywood's most important directors, such as Martin Scorsese and Francis Ford
Coppola.
Richly illustrated from
the Library of Congress's extensive collection of posters, paper prints, film
stills, and memorabilia – most of which have never been in print – Silent
Movies is an important work of history that will also be a sought-after
gift book for all lovers of film.
"If you ever
wondered why film buffs get weak in the knees about the movies made before
talkies, this book can help you understand. . . . it is beautifully designed
with a dazzling array of movie stills, posters and promo material drawn from
the Library of Congress' memorabilia collection." – San Francisco
Chronicle.
"The definitive
visual history of silent film." – New York Daily News.
"A handsomely
designed and illustrated pictorial history of the voiceless cinema." – Los
Angeles Times.
"A ravishing,
oversize, million-pound study of the silent movie era, not just its films, but
its promotion, its culture and the way these movies changed how we think about
the world." – Washington Post Express.
"Kobel has lovingly
detailed this world-from the zany publicity campaigns to the lavish scripts to
the decadent star lifestyles. SILENT MOVIES is an essential addition to any
film or design lover's library." – Encore magazine.
"Spectacular."
– The New York Times.
"This
isn't a coffee table book, though any coffee table would be lucky to be graced
by it. The excellent text manages the trick of being exhaustive without being
exhausting, while the photos – and stills, and posters, and lobby cards – are
enchanting." – Joe Morgenstern, Wall Street Journal Online.
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