Writer
March 26, 1874 – January 29, 1963
Recommended reading:
Robert Frost: Collected Poems, Prose, and Plays
By Robert Frost.
Edited by Richard Poirier and Mark Richardson.
Published by Library of America.
Published 1995.
First Edition.
Hardcover.
ISBN-10: 188301106X
ISBN-13: 978-1883011062
Description:
Justly celebrated at home and abroad, Robert Frost is perhaps America’s greatest twentieth-century poet and a towering figure in American letters. From the publication of his first collections, A Boy’s Will (1913) and North of Boston (1914), Frost was recognized as a poet of unique power and formal skill, and the enduring significance of his work has been acknowledged by each subsequent generation. His poetry ranges from deceptively simply pastoral lyrics and genial, vernacular genre pieces to darker meditations, complex and ironic.
Here, based on extensive research into his manuscripts and published work, is the first authoritative and truly comprehensive collection of his writings. Brought together for the first time in a Library of America single volume is all the major poetry, a generous selection of uncollected poems, all of Frost’s dramatic writing, and the most extensive gathering of his prose writings ever published, several of which are printed here for the first time.
The core of this collection is the 1949 Complete Poems of Robert Frost, the last collection supervised by Frost himself. This version of the poems is free of unauthorized editorial changes introduced into subsequent editions. Also included is In the Clearing (1962), Frost’s final volume of poetry. Verse drawn from letters, articles, pamphlets, and journals makes up the largest selection of uncollected poems ever assembled, including nearly two dozen beautiful early works printed for the first time. Also gathered here are all the dramatic works: three plays and two verse masques.
The unprecedented prose section includes more than three times as many items as any other collection available. It is rich and diverse, presenting many newly discovered or rediscovered pieces. Especially unusual items include Frost’s contribution to John F. Kennedy’s inauguration and two fascinating 1959 essays on “The Future of Man.” Several manuscript items are published here for the first time, including the essays “‘Caveat Poeta’” and “The Way There,” Frost’s remarks on being appointed poetry consultant to the Library of Congress in 1958, the preface to a proposed new edition of North of Boston, and many others. A selection of letters represents all of Frost’s important comments about prosody, poetics, style, and his theory of “sentence sounds.”
LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Credits:
Books and plays:
30 Press Presents:
Classic Horror Poems Volume One (2023); A Boy's Will (1913); A Masque Of Reason
(1945); A Prayer in Spring (2011); Baseball: a Literary Anthology (2002); Birches
(1916); Blueberries (2014); Christmas Trees (1990); Collected Poems, Prose, and
Plays (1995); Come in and Other Poems (2000); Dark (2000); In the Clearing (1957);
Mountain Interval (1916); New Hampshire (1923); North of Boston (1914); O Taste
and See: Food Poems (2003); Selected Poems (1955); Selected Poems of Robert
Frost (1955); Stopping by Woods on a Snowy Evening (1969); Swinger of Birches (1961);
The Caedmon Treasury of Modern Poets Reading Their Own Poetry (1992); The
Collected Poems of Robert Frost (1930); The Collected Prose (2008); The Letters
of Robert Frost, Volume 1 (2014); The Letters of Robert Frost, Volume 2 (2016);
The Poetry of Robert Frost (1930); The Rag and Bone Shop of the Heart (1992); The
Road Not Taken (1916); The Road Not Taken and Other Poems (1916); The Robert
Frost Collection (2011); The Runaway (1998); Versed in Country Things (1996); Writers
At Work: The Paris Review Interviews (1957); You Come Too (1916).
Poem titles:
A Blue Ribbon at
Amesbury; A Brook in the City; A Cabin in the Clearing; A Concept
Self-Conceived; A Considerable Speck; A Dream Pang; A Drumlin Woodchuck; A
Girl's Garden; A Hundred Collars; A Late Walk; A Leaf Treader; A Line-storm
Song; A Lone Striker; A Minor Bird; A Missive Missile; A Never Naught Song; A
Passing Glimpse; A Patch of Old Snow; A Peck of Gold; A Prayer in Spring; A
Record Stride; A Reflex; A Roadside Stand; A Servant to Servants; A Soldier; A
Star In A Stone Boat; A Time to Talk; A Trial Run; A Winter Eden; A Wishing
Well; Acceptance; Accidentally on Purpose; Acquainted with the Night; Acquainted
with the Night; After Apple-Picking; After-Flakes; All Revelation; America is
Hard to See; An Afterword; An Encounter; An Old Man's Winter Night; Asking for
Roses; Assertive; At Woodward's Gardens; Atmosphere; Auspex; Away!; Bereft; Birches;
Blueberries; Bond and Free; Brown's Descent, or the Willy-nilly Slide; Build
Soil; But Outer Space; Canis Major; Choose Something Like a Star; Christmas
Trees; Clear and Colder; Closed for Good; Come In; Cranberries at Noon; Departmental;
Desert Places; Design; Devotion; Directive; Does No One at All Ever Feel This
Way in the Least?; Dust in the Eyes; Dust of snow; Ends; Escapist – Never; Etherealizing;
Evil Tendencies Cancel; Fire and Ice; Fireflies in the Garden; Flower-gathering;
For John F. Kennedy His Inauguration; For Once, Then, Something; Forgive O,
Lord; Four-Room Shack; Fragmentary Blue; From Iron; Gathering Leaves; Ghost; Going
for Water; Good Hours; Hannibal; Happiness Makes Up In Height For What It Lacks
In Length; Home Burial; How Hard Is It to Keep from Being King When It's in You
and in the Situation; Hyla Brook; I Will Sing You One; Immigrants; In A Disused
Graveyard; In a Glass of Cider; In a Vale; In Divés' Dive; In Equal Sacrifice; In
Neglect; In the Home Stretch; In Time of Cloudburst; In Winter in the Woods; Into
My Own; Iris by Night; It Takes All Sorts; Kitty Hawk; Leaves Compared with
Flowers; Lines Written in Dejection on the Eve of a Great Success; Locked Out; Lodged;
Lost in Heaven; Love and a Question; Meeting and Passing; Mending Wall; Misgiving;
Moon Compasses; Mowing; My Butterfly; My November Guest; Neither Out Far nor in
Deep; Never Again Would Birds' Song Be the Same; New Hampshire; Not All There; Not
Quite Social; Nothing Gold Can Stay; Now Close the Windows; October; Of the
Stones of the Place; On a Bird Winging in its Sleep; On a Tree Fallen Across
the Road (To Hear Us Talk); On Being Chosen Poet of Vermont; On Going Unnoticed;
On Looking Up by Chance at the Constellations; On Taking from the Top to
Broaden the Base; On the Heart's Beginning to Cloud the Mind; Once by the
Pacific; One Guess; One More Brevity; Our Doom to Bloom; Out, Out; Pan with Us;
Paul's Wife; Pea Brush; Peril of Hope; Pertinax; Pod of the Milkweed; Precaution;
Provide, Provide; Putting in the Seed; Quandary; Questioning Faces; Range-Finding;
Reluctance; Revelation; Riders; Rose Pogonias; Sand Dunes; Sitting by a Bush in
Broad Sunlight; Skeptic; Snow; Some Science Fiction; Spoils of the Dead; Spring
Pools; Stars; Stopping by Woods on a Snowy Evening; Storm Fear; Taken Doubly; Taken
Singly; Ten mills; The Aim Was Song; The Andes; The Armful; The Axe-Helve; The
Bad Island – Easter; The Bear; The Bearer of Evil Tidings; The Birthplace; The
Black Cottage; The Bonfire; The Cocoon; The Code; The Cow in Apple Time; The
Death of the Hired Man; The Demiurge's Laugh; The Discovery of the Madeiras; The
Door in the Dark; The Draft Horse; The Egg and the Machine; The Exposed Nest; The
Fear; The Figure in the Doorway; The Flood; The Flower Boat; The Freedom of the
Moon; The Generations of Men; The Gift Outright; The Gold Hesperidee; The
Grind-Stone; The Gum-Gatherer; The Hardship of Accounting; The Hill Wife; The
Himalayas; The Housekeeper; The Investment; The Last Mowing; The Last Word of a
Blue Bird; The Lesson for Today; The Line-Gang; The Lovely Shall Be Choosers; The
Malverns; The Master Speed; The Milky Way Is a Cowpath; The
Moon; The Most of It; The Mountain; The Need of Being Versed in Country Things;
The Objection to Being Stepped on; The Old Barn at the Bottom of the Fogs; The
Onset; The Outlands; The Oven Bird; The Pasture; The Pauper Witch of Grafton; The
Peaceful Shepherd; The Road Not Taken; The Rose Family; The Self-seeker; The
Silken Tent; The Sound of Trees; The Span of Life; The Star Splitter; The
Strong Are Saying Nothing; The Subverted Flower; The Telephone; The Thatch; The
Times Table; The Trial by Existence; The Tuft of Flowers; The Vanishing Red; The
Vantage Point; The Vindictives; The White-Tailed Hornet; The Witch of Coos; The
Wood-pile; The Wrights' Biplane; There Are Roughly Zones; They Were Welcome to
Their Belief; To A Moth Seen In Winter; To a Thinker; To Earthward; To the
Thawing Wind; Tree at My Window; Two Look at Two; Two Tramps in Mud Time; Unharvested;
Version; Voice Ways; Waiting Afield at Dusk; Waspish; We Vainly Wrestle; West-Running
Brook; What Fifty Said; Why Wait for Science; Wind and Window Flower.

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