Recommended reading - La Jetée: Ciné-Roman, by Chris Marker (1992:

La Jetée: Ciné-Roman,

by Chris Marker (1992).

Zone Books

Distributed by The MIT Press.

ISBN-10: 0942299663

ISBN-13: 978-0942299663

The inspiration for the movie 12 Monkeys (1995), directed by Terry Gilliam.

Description:

In the aftermath of World War III, both the earth’s surface and all of history – everything ever dreamed or known – lies irretrievably buried in a heap of radioactive devastation. Space has become off-limits, and the war’s few remaining survivors, huddled underground in the dank galleries beneath Chaillot, seek desperately an alternative path to survival – one perhaps that passes through Time. At the expense of madness, death, and unspeakable cruelty, they begin a set of experiments whose purpose will be to launch emissaries, in search of food, medicine and energy, through a hole in Time. A man is chosen for his unique quality of having retained a single clear image from pre-war days; no more than an ambiguous memory fragment from childhood – a visit to the jetty at Orly airport, the troubling glance of an unknown woman, the crumbling body of a dying man. These elements become crucial hinge-points in the ensuing narrative, thickening and accumulating nuance with each successful expedition into the historical past. The image of a woman, increasingly suffused with the time – and eros – bestowing capacities of a deep and impossible love, provides both the kernel for the recovery of the dimension through which humankind and history will be saved, as well as the tragic abyss into which both the hero and the narrative inexorably fall.

Although Chris Marker’s legendary film is no more than 29 minutes long and contains but a single moving image, perhaps no other film has matched its combination of devastating emotional power, former brilliance and philosophical complexity. The story marker tells – a stunning parable of our modern fate – is about the death of the world, about loss, memory, hope, and the indomitable power of love.

“This strange and poetic film, a fusion of science fiction, psychological fable, and photomontage … creates its own conventions from scratch. It triumphantly succeeds where science fiction invariably fails.” – J.G. Ballard.